Dave Pollard's environmental philosophy, creative works, business papers and essays.
In search of a better way to live and make a living, and a better understanding of how the world really works.



April 7, 2013

Enough

Filed under: Creative Works — Dave Pollard @ 23:15

enough

“and i thought i saw someone who seemed — at last! — to know the truth; i was mistaken: only a child laughing in the sun.”

 – david crosby

one day, everything will be free.

one day, we will again belong to the earth, and not remember that we once believed the earth belonged to us.

one day, there will be no signs of progress.

one day, there will be no need for ‘stores’.

one day, we will be able to see the path through the woods.

one day, we will let the ravens and the whales and the wolf cubs teach us how to play.

one day, we will know the real truth.

one day, the water will be safe to drink.

one day, we will not have to fuck the pain away.

one day, when we go we will leave no footprint.

grizzly fishing

one day, source waters and freshwater creatures will flow unimpeded down all the earth’s rivers to the sea, and the waters will so teem with life that bears will be able to feed by simply sitting in the stream with their mouths open.

one day, we will not run for shelter when it rains.

one day, we will not need words to know we are loved or to show that we love.

one day, we will all be wild.

one day, we will understand what the chickadees have been telling us.

one day, the dragons will return.

one day, we will not care that the lovely rain and warming sun washed away our drawings.

one day, we will know enough to be ‘unsettled’.

one day, we will have nowhere to go.

one day, the night sky will be silent and alive.

baraka

one day, our principal canvasses will be our bodies.

one day, the wind will whisper secrets that we couldn’t hear before.

one day, we will remember how to sleep in trees.

one day, we will learn to walk like foxes.

one day, we will not need the word ‘should’.

one day, the last of our species will die, unnoticed.

one day, we will not have to be ‘mindful’.

one day, we will answer the coyote’s call.

one day, we will not be afraid.

one day, we will really see.

one day, we will just be.

one day, this beautiful, complex, unfathomable world will be enough.

one day, everything will be free.

 

(Credits: The second last line of this poem was adapted from this excerpt from this video by Tim Minchin, which also inspired this poem’s title; the first (and last) line of the poem is the title of this interesting-sounding new film about intentional communities in Haiti; both the stylized O logo in the title and the grizzly image were sent to me and I cannot find their original sources online; the image of the Amazonian girl is from the film Baraka.)

 

November 26, 2012

Distracted

Filed under: Creative Works — Dave Pollard @ 23:49

(this story is fiction: none of it really happened, or is ever likely to, and none of the characters in the story, other than the writers referred to, are real people or based on real people, including me :-) vancouver skyline

“So what did you think of Charles?”

I was sitting on Lori’s balcony looking at the night skyline, the stars and the ships in English Bay harbour — ugly rusted polluting hulks during the day, but beautiful at night, with their bulk and tarnish hidden by the dark and their lights glimmering and reflected in the sparkling water.

The ‘Charles’ in question was Charles Eisenstein, whom Lori and I had gone to see the previous evening, speaking about “Living the New Economy”, and how we would have to straddle the old industrial growth economy and the new, fledgling, gift economy, probably for decades until the former had completely collapsed. Lori slid through the sliding door and into the seat beside me, carrying a tray of tea, and handed me my mug.

“The idealist in me loved his speech”, I replied. “He’s absolutely right that the only thing that keeps us shackled to the old economy is the belief of almost everyone we know in the world, that the old economy is the only one that can work in today’s world. It may indeed be as easy as just acknowledging that the agreements that underlie the industrial economy, with its addiction to endless growth and endless increases in debt and the desolation of our planet, no longer serve us, and that we need a new set of agreements based on what we really value in the world. Then our ‘value’ in the world would no longer be measured by our wealth and income, but by our ability to identify and offer our unique gift to the world, and in so doing increase the amount of connection and love and appreciation and joy in the world, and make it sustainable and resilient in the face of the problems we’re going to deal with over the next few decades — economic collapse, energy collapse, and ecological collapse.” I took a sip of tea. “But I’m still not sure we can get there from here, despite his elegant arguments. Even if everyone on the Exxon Valdez had seen the ship heading for the reef and wanted to change course in time, that would not have prevented the environmental disaster.” Another sip. “What did you think?”

“I think you’re a crotchety old pessimist,” she replied, smiling at me. Read about the Hisatsinom/Se’da peoples of the American Southwest. They built a culture that lasted thousands of years, and when it was wracked by climate change — the 300 year drought, the mini ice age and the deforestation of the Southwest — they just walked away, decided that this complex, ancient culture and its religions and ‘agreements’ no longer served them. They remembered from their ancestors that humans are by nature nomadic, so they abandoned their astonishing but no-longer-sustainable pueblo settlements, and went back to the land. They travelled to areas where indigenous nomadic peoples were thriving and learned from and integrated themselves into them. They made new agreements with the natural world and all life within it. Why can’t we do the same?”

I sighed, and thought for a while. In addition to Eisenstein’s Sacred Economy I had been reading Chris Ware’s brilliantly-drawn box of comics Building Stories, a set of 14 graphic novels about the inhabitants of a 3-story apartment building in Chicago. The characters of these novels (short stories, really) are tragic — lonely, confused, anxious, struggling, trapped by their circumstances of ill health, poverty, age, low self-esteem and ignorance — and none of the stories has a resolution. They just kind of end with an acknowledgement of hopelessness and despair. They are sympathetic, desperate characters, best ‘personified’ by a bee who gets caught inside the apartment, repeatedly smashes into the windows trying to reach his family and the flowers outside, and laments the invisible “hard air” that inexplicably prevents him from escape, from achieving his goals. These characters seemed to me to represent most of the people in the world, far more than the capable, psyched-up group we sat amongst listening to Eisenstein. I wondered what they would have thought of his speech, and how they would have answered Lori’s question.

Ware writes “We exist in the present, but we spend the majority of our time thinking about the past and worrying about the future. We don’t really experience what’s going on in the exact moment.” How, I wondered, could we hope to get even a small proportion of the people shackled to our industrial growth economy sufficiently present, sufficiently aware, sufficiently free of the millions of distractions that prevent us from having any idea what we’re doing to this world, and ourselves, and each other, to begin to create this “new agreement”? Are most people even capable any more of knowing, imagining what their gift to the world is, and how they could offer it in a world that valued it instead of ‘economic wealth’?

I went into Lori’s kitchen and got us a bowl of raspberry sorbet, and two spoons, still thinking about what she’d said. I imagined the pueblo dwellers abandoning their elaborate and comfortable caveside homes and religious sculptures and other unsustainable artifacts and processes of living, and trekking to the lands of indigenous nomadic tribes to ask if they could be taught how to be gatherer-hunters again. I sat down beside Lori, gesturing to the sorbet.

“My guess is that the Se’da probably clung to their civilized ways for a couple of centuries as climate hell was breaking loose, hoping to figure out some way to keep their complex civilization going, just as we are, before it reached such an irretrievable state of collapse that they had no choice but to abandon it. And I’d guess that their birth rate had dropped so much for so long by then that there weren’t a lot of them left to assimilate. We humans are a stubborn and change resistant lot.”

Lori looked at me with a frown, and displayed that skeptical mouth-turned-down pout I loved so much. I laughed. She stood and put her hands on the railing of the balcony, avoiding the chicken wire we’d rigged to the balcony spindles to keep Myron the cat from accidentally falling through. She turned to me. “Your grandparents told you that they survived the Great Depression because most people then still knew how to grow their own food, make their own clothes, and basically be self-sufficient when they couldn’t afford to buy anything. My great-grandparents, who wrote about those times, said the opposite. Most people in cities lived in apartments then and didn’t know how to do much more than the clerical jobs most of them did in those days. Your grandparents lived in Winnipeg, Spencer — hello, grow your own food? But they learned to do what they had to to survive. And they did it fast. Look at the Cuban people when the Soviet empire collapsed and their oil supply suddenly dropped by 95%. In just three years they went from 10% organic agriculture to 85%. They lost an average of 20 pounds apiece but they did it. They had no other choice. They’re smart people. They turned it around.” She sat on her haunches and poked me gently in the nose. “We’re smart too. We can turn it around.” She sat, taking the sorbet bowl as she did.

“I don’t know what happened to previous collapsed civilizations, or how difficult it was for them to walk away from the only culture they knew, but I suspect it wasn’t like Charles Eisenstein’s dream of orderly and enlightened transition,” I said. “And my guess is that the Se’da were just as smart as we are and less dependent on centralized systems. As for  Cuba, they’re not in any better shape than any of the countries around them. They depend on Venezuela’s help and oil, their infrastructure is collapsing even faster than ours, and most of them from what I understand want to repeat all the economic mistakes we’ve made in the last half century, in the belief it will make their economic lives better. As we face more frequent and serious economic, energy and ecological crises in the coming years, we’re going to respond as best we can, and we’ll do some amazing things, but they won’t be fast enough or substantial enough changes to keep our civilization from collapsing in fits and starts until there’s nothing left of it. Just because we can theoretically create a better, more sustainable economy, responsive to our true values, doesn’t mean we will, or even that we could practically engender the collective will to practically do so. Economies evolve, they aren’t designed. When governments have tried to impose radically new economies on citizens they’ve failed, even when the citizens were initially keen.”

Lori shrugged. “Well, it may not be in our nature to change our behaviour quickly, or to change it radically on any scale until and unless there appears to be no other choice. But it is in our nature, I think, to try to change our, and others’ behaviour, as soon as we perceive a need to change. So I respect your curmudgeonly defeatist’s belief that it’s hopeless and your right to give up trying to bring about any large-scale change, but you should also respect my, and Charles’, and many others’ fervent belief that what seems now ‘impossible’ — living and co-creating the new economy until it replaces the old one — is our only option and is worth working all-out to try to achieve. And not undermine us or get in our way.”

“I would never get in your way,” I replied, gesturing deferentially. “But I’m not sure I can promise not to undermine you. Lots of people ask me for my opinion on what I think they can and ‘should’ do, and I’m not going to be dishonest with them. I’m going to tell them that what I’m doing is letting go of the belief that we can bring about any significant change to our political, economic or other systems until we have absolutely no other choice but to change (and even then, I doubt that the change most people will make will be the one that is ‘best’ for them, no matter how cleverly you model it and no matter how articulately you argue for it). I’m going to tell them that what I’m doing is living in the moment, as joyfully as possible, without denying or contributing excessively to the damage our culture is doing to this planet. I’m going to tell them that I think our purpose for being here is to connect, and learn, and love, and understand, and play, and pay attention, and discover and be who we really are, and that’s enough. In fact, if we are able to do that, I think we’ll then know what we must do, what we can do, and what we want to do. We won’t need anyone to tell us, or persuade us.”

Lori gave me an incredulous look, and she knew immediately from my expression that I wasn’t so sure of this myself. I gave her the hands-out-sideways, palms-face-up “at least I think so” signal, and she replied with the self-satisfied “yeah I figured” double-nod. Recently we’d been talking less and just being with each other more, and had picked up this marvellous vocabulary of unspoken signs and gestures. We’d probably always been using them to accompany our spoken words, but now without the words we realized how much they conveyed, in many ways better than the words ever could.

I thought back a week to when we had been together at my house on the island, looking out from my balcony at night over forest and mountains and sea, with no human constructs to dim the awesome sight of the ocean of stars spread out before and below us, and the moon intermittently shrouded by fog and mist.

We’d had a discussion then about Chris Ware’s disconnected, distracted, damaged, cowed people, and about lots of people we knew like them, and what it might take to convince them that our civilization was roaring off a cliff and soon all our lives would be much different, unrecognizable, more local, more focused on sufficiency and self-reliance and resilience, based primarily on sharing and generosity among immediate neighbours that today, by choice, we hardly even know. Some of them, we decided, would understand — the grounded ones who, despite the turmoil and busy-ness and preoccupation with the needs of the moment that dominated their lives, intuitively knew that something was very wrong with the way we mostly live now, and that it could not go on much longer. Most, though, we knew, would think we were slightly or completely crazy. They would not know what to make of Charles Eisenstein or his ideas, and would probably dismiss them quickly as either naive or just bizarre. I stood up and wrapped my arms around Lori as she stared at the city below, Vancouver at midnight, everyone trying to sleep to be ready to face tomorrow’s needs.

“We are all like TS Eliot’s wounded surgeon,” I said, finally, “trying to help others and heal ourselves at the same time. And as we do that we are so utterly distracted from seeing the world, and ourselves in it, as they really are, that it is as if we are doing this healing work in a phantom world, what Joe Bageant called a hologram, a thin but dazzling electromechanical replica of the world that includes only selected human-constructed parts of it, and none of the natural world. A complicated projection of the complex world that is not the real world at all, but we’re so distracted by all the propaganda and gaudy, violent and escapist entertainments and phoney, ‘urgent’ choices, and manufactured scarcities and crises inside it, that we don’t notice it’s not real. We have no time or capacity left to realize that we stopped living in the real world long ago, when at a young age our culture began to wire our brains to be a miniature representation of the hologram, and train us to live inside our heads, inside the hologram inside the hologram. The real world is here, now, outside our heads, outside our human constructs, connected with all other life on Earth. We know that, but like the bee caught inside by the ‘hard air’, we cannot reach it, cannot get to it.” I moved my fingers, bee-like, and bumped them repeatedly into the glass sliding door. Myron looked at me quizzically. He couldn’t see or smell the bee, and the ‘hard air’ didn’t seem a problem for him; he just scratched at it when he wanted in or out, and someone would come along and move it out of the way.

Lori turned around and returned my embrace. She looked at me and held me and signalled to me at once her empathy, her groundedness, her amusement, her appreciation, her fears, her dissatisfaction with my inability to articulate exactly what I meant, that she was close to understanding. We just stood like that, wordlessly, for a while. Finally, she said, quietly, “Well, my love, what should we do in the meantime?”

I sighed again, breathing in the smell of her. “I think we should get undressed and make love for six hours until nothing else matters, and then sleep til three in the afternoon, and then go for a long walk in the forest in the rain and stop in at that tea house in the park and have people in kimonos shower us with flower petals and incant the wisdom of the ages. And then give each other a massage and shower together and make love for another six hours.”

Lori punched me playfully and pushed me away. “You’re incorrigible,” she said. “You think sex is the answer to everything, even though you yourself wrote recently — and I quote — ‘ecstasy is not the same as presence’. It’s not nirvana, it’s a form of escapism, Spencer. There’s a reason no woman wants to have sex for six hours, just like no one wants to go bungee jumping for six hours. It’s unnatural. The flood of pleasure chemicals is wonderful, of course, but you can’t sustain it for too long or indulge it too often or it becomes, well, too much. I’m worried about you, my love. Talk about distractions.

“I’ll prove you wrong,” I said, lifting her up and carrying her through (or around) the sliding door to the bedroom, her giggling soon infecting me too. We compromised, making love for two hours, and then, naked and wrapped together in a lovely, giant soft blanket, shuffled back to the balcony, grabbing cans of grapefruit soda on the way. Myron followed, chasing the part of the blanket that dragged on the floor. We fell together into one of the balcony chairs, Lori deliciously perched on my lap.

The city below us was quiet, but bright with the blaze of miles of streetlights and apartment lights spread out before us. I quoted Rebecca Lee from her story “Bobcat”: “The city never disappoints…It doesn’t know what you want, so it tries to give you everything.” We stared out at the skyline for a while, silently. Our bodies talked to each other, while our heads went off, presumably, in different directions. Mine was inventing stories about the people in the apartments below, some darkened, many still alight. “You see that apartment there?”, I said, pointing. “The guy in there is desperately trying to get to sleep, worrying about a presentation he has to make to a large audience tomorrow about performance management systems. He has never cooked a meal for himself, and wouldn’t know how to begin. His employer has given ten straight unqualified audit opinions to three of the companies driving development of the Tar Sands. And the woman civil servant in that apartment over there is worried because her two-year-old isn’t really talking much yet, and because money is so scarce she may have to give up her apartment and move somewhere she thinks is more dangerous. Her ex-boyfriend convinced her climate change is a myth, and she’s never even heard of peak oil. Her boss’ boss, the federal finance minister, just signed a secret trade deal with China that will bind future generations to give them our oil and water for 50 years or face billion-dollar treaty abrogation fines.”

Lori put her hand over my mouth. “Shh, I know. We’re all distracted in our own way.” she said. Then she laughed to herself and started to impersonate me, with a mock stern expression on her face and her head bobbing from side to side, saying, in a deep voice, “We are all wounded, lost in our personal crises, misinformed, distrustful of the media, and vaguely aware of what’s going on in the world but without the time or energy to research, to ask questions, or reflect, to make sense of it all, to know the real cost of our distraction. We have not merely been turned into unconscious, conditioned consumers of our culture, we have begun to be consumed by it.” She mimicked my palm-upward “it’s hopeless” signal. I laughed, and, though she couldn’t see me from her position on my lap, I gave her the “I’m not worthy” signal. Somehow she picked it up and gave a small exaggerated bow, and then snuggled back into my chest.

She’d put on the “Evergreen” classical Internet music radio station I loved (she called it the “Sad Adagios” station) on low on our way into the bedroom, and now Shostakovich’s 2nd piano concerto was playing quietly inside, and the combination of Lori’s unspoken signals of affection, and the lights, and the buzz of the love chemicals still coursing through my body, and the pathetic state of the world and its creatures, and the soft pressure of Lori’s body against mine, and the lovely music, coming together, overwhelmed me. It was as if I was joining all-life-on-Earth in a giant, synchronous, sympathetic sigh. Tears filled my eyes, and an amazing feeling of love and connection filled the rest of me. Lori used her arms to pull mine tighter around her, and whispered “It’s OK sweetie.”

We just breathed together for a few moments, and then Lori announced, holding up the five fingers of her left hand: “Five things we’re going to do to make things better, Spence. You can join us or just play around us, but don’t get in our way. One, instead of telling people what not to do, or what they should do, we’re going to make it easy and fun for them to do the right things, things like walking instead of driving, and things like inviting your neighbours to a party to learn how to make jam.” She was expecting me to interject and was ready to shush me but I was just listening, breathing, taking it all in, uncritical for a change.

Two, we’re going to make resilience relevant to the here-and-now, so people will want to learn it now, rather than just before everything is unquestionably falling apart. We’ll make the woman in that apartment you were talking about more resilient so she can be at peace with her child’s rate of development, and at peace with the beauty and joy and sense of community to be found wherever she lives. We’ll show that guy how enjoyable and liberating it is to learn to cook, and grow some of his own food, maybe in a communal garden on the rooftop of his apartment. And we’ll show people that being resilient doesn’t require you to change, or “become better”, just a little less dependent on The Machine and more aware of the power and wisdom and pleasure of the company of the people right in your community, and that drawing on that community and its resources can actually save you more time than it asks of you.”

Three. We’re going to engage the busiest and most distracted people in the community by engaging their children and grandchildren first, through their schools and their games and their music and their movies and the things they do for fun. Not by propaganda or scary stories about the future, but by showing them enjoyable, creative things to do that will actually be useful to them. Like how to use their computer to design their own clothes professionally and then create a printable pattern that will let them make, and re-make, those clothes themselves. Like how to prepare for a pandemic by participating in a real-time, cooperative massive multiplayer online game that will involve doing stuff in the real world to ‘win’. Like how to direct their own learning to identify what they really want to do in the world that they can do well and that meets a real need, and then convert that knowledge into a real local cooperative, meeting and working with others in the community with complementary skills, so that they never need to depend on someone else ‘giving’ them a ‘job’, a job they’d probably hate anyway.”

Four. We’re going to engage the grandmothers to tell stories about how they learned to cope with grief, and loss, and sorrow, and helplessness, and despair, and fear, and outrage, and powerlessness, and use those stories to return the grandmothers to the revered status they once held in every society and which they still hold in many indigenous cultures. Because the grandmothers know the answers to the questions most of the rest of us are afraid to ask, to deal with, to face. And we’re going to use the most subversive tool ever invented, the story, to show the rest of us we need not be afraid, that the grandmothers can teach us, can model for us, what we need to know to face any crisis, now and in the future.”

Five. And you’ll love this one, Spence. We’re going to liberate the dependent captives of our culture by taking on the identity, the persona and the costume of the trickster, the raven, the Loki, the coyote, the satyr, the faun, the mischief-maker, and in that role bring to bear the ‘crazy wisdom’ that Tom Robbins and Kenny Ausubel talk about, the ‘wisdom that evolves when one, while refusing to avert one’s gaze from the sorrows and injustices of the world, insists on joy in spite of everything’. Your ‘joyful pessimism’, Spencer! We will learn to play the Fool, the Green Man, the harbinger of new beginnings, the innocent who brings fresh eyes and naive ‘Emperor’s got no clothes’ courage and cleverly replace the old frames with new impossible, intuitive, wondrous children’s frames, by sleight of mind. We will distract them back to reality.”

I looked at her open-mouthed. “Wow,” I said, “where did that come from? That’s amazing.”

“It came from out there,” she replied, gesturing over the balcony. “And in here.” She pointed to her body. “And from in here, too,” she added, pointing at my body. “Our bodies talked, once your mind got out of the way, and they dreamed some of this up between them. They know a lot that we never listen to.”

“I’m blown away. That’s an awesome list. I should be taking notes. Just one question, though: Who is this ‘we’ that is going to do these five things?”

Lori thought for a moment. “You know when Charles Eisenstein talks about how the emerging new economy will allow people to ‘make a living’ by identifying and offering their unique gift to the world? Well, ‘we’ are the people whose unique gift is congruent with one or more of these five actions. A coalition of those  who both care about making the world a better place, right now and in the future, and believe it’s worth trying, even if it’s hopeless, even if it’s ‘impossible’. For the actions about making things easy and fun, that would be facilitators and game-makers and people from who we can relearn how to play. For the actions around becoming more resilient now in all we do, that might be people who have nothing to lose, people who have learned to let go of everything. For the actions around engaging young people it might be people who really care about kids, people — probably not teachers, though — who do things that appeal to young people’s sense of self-discovery and wonder and curiosity, people who demonstrate stuff, who let you try it just for fun, just to see if you can do it. For the actions around listening to the grandmothers, it will be the grandmothers of course, but also the First Nations people, and the story-tellers.”

She paused, and wrinkled her nose, and then went on: “The actions around the trickster, the Fool, may be harder to initiate and recruit the right people for. It might be improv people, or people like you who have good imaginations and love to play, and clever scriptwriters. But we have nature’s tricksters to learn from too. Right, Myron?” she said, as the cat batted a piece of paper among the chair legs. “I’ve seen you play with Myron, pulling a string around the room for an hour while he chased it. He basically taught you how to play with him, and a lot more besides. He is at once wise and silly, a perfect trickster.”

We both fell silent after that, listening to the music and staring at the lights above and below us. There was a full moon, but a rolling translucent mist softened its edges, gave it a halo. Neither of us was tired, and neither of us had to get up early the next day, so we just were, together, talking with our eyes and our faces and our bodies, breathing together.

“Up,” she said, after a while, pulling me up as she rose, the blanket still wrapped around both of our still-naked bodies. When I gave her the ‘what’s up’ look she said “I’m going to teach you something about resilience.” She went into the bedroom and retrieved a second oversized blanket, and then wrapped one around each of us, using some velcro tabs she’d somehow attached to them, until they were loosely but securely wrapped around each of us, like ersatz microfibre ankle-length kimonos. “Neat, huh? Instant one-layer all-weather clothing. A homeless guy showed me the idea. Now we’re going for a walk in the forest. Yes, I know it’s the middle of the night, and no, we’re not going to take flashlights or GPS gadgets. I’m going to bring out the bonobo in you. Just trust me.”

She led me out and down the elevator and soon we were walking along the deserted street, hand-in-hand, the five blocks to the entrance of Stanley Park, one of the world’s largest urban forests. I was anxious as soon as we entered the park and made our way onto one of the myriad of trails, which was not lit for night travel. It was incredibly beautiful, in there under the stars and the hazy moon, with fog sweeping in from the harbour. But I could not enjoy it. My mind imagined encountering unhinged people sleeping in the park, night police sweeps, one of us falling and knocking ourselves unconscious. I’d gotten lost running in this forest lots of times, in full daylight when you could see and read the path markers. Lori could sense the tension in me just from holding my hand.

“OK, here’s where the bonobo comes in,” she said. She pulled me off the trail and for about a minute we stumbled through total darkness. Then she sat me on a log, a fallen Douglas Fir. She knelt in front of me and pulled off the velcro that kept the blankets in place in the front, from chest to knees, first mine, then hers. Then she gently but insistently rubbed the front of her naked body against mine, to heavenly effect. She fended off my attempts to kiss her, hold her, and just continued the calming, rubbing motion, for about two minutes. Then she re-attached the velcro, drew me to my feet, and led me back to the path. “OK, now,” she said in a half-asking, half-declarative voice.

It felt as if my heart rate had fallen by half. Instead of aroused, or perhaps in addition to aroused, I felt serene, as if all my fears and dreads and sorrows had evaporated. Once back on the path, my eyes now adjusted to darkness, the moonlight was enough to make me feel more confident navigating the pathway, despite the shadow of the looming, ancient rainforest all around us. I became aware of smells and sounds and even the taste of the air that I’d never noticed before. For an hour or so we walked, doing what Lori called “mindful wandering”, in silence, just sensing, noticing, perceiving, imagining, ‘making sense’.

And then Lori once again pulled me off the trail, deeper and deeper into the darkness, and my anxiety level soared again. Again, Lori sensed this and sat me on the ground, only this time she only opened the velcro on her own blanket, and kneeling in front of me drew me towards her and guided my lips to her breasts. Involuntarily, driven by some primal instinct I didn’t recognize, I suckled like a baby, and for what seemed several minutes Lori sang to me, so quietly that sometimes the light wind drowned out her words. I lost track of time before Lori reattached her blanket and led me still further into the forest.

I was going to say something about how wonderfully distracting her actions were in calming me, but then, as if I could hear her voice answering me, I realized that what she was doing was the opposite of distraction, that it was the fears and imaginings in my head, and my body’s tense fight-or-flight reaction to those fears and imaginings, that were the distraction. And that her feral, comforting actions were bringing me away from that distraction, away from the fictions I’d made up in my head, and back to reality. I was swooning, and exhausted, but felt more alive and at peace than I could remember ever feeling.

We stopped when we came to a clearing, soft, flat and moss-covered. “Good enough for the deer, good enough for us,” she said to herself quietly, and pulled me down beside her. She lay me down on my side and then lay in front of me, head-to-feet, feet-to-head. “Put your head on my thigh, like a pillow” she said, opening one of the velcro pieces, lifting her top leg, and angling her body slightly to accommodate my head. She gently lowered her leg to cocoon me between her indescribably soft thighs. She created a pillow for herself between my thighs the same way. The padding of the moss and the blankets cushioned us perfectly.

She was asleep in a moment. I just lay there, enveloped by her, breathless. All that existed was the sound of her breath, the smell of her, the sound of the breeze beyond. It was magic. I drifted off and woke again, wanting to memorize what this felt like, what this was, so that I could stop myself from ever going back into that terrible unreal place in my head. I could hear the rustle of the ravens’ feathers as they surveyed us from the trees above. I could hear the coyotes’ howl and the cats’ knowing purr. I could see the etched faces of the First Nations grandmothers, laughing, nodding at my acknowledgement of what they had always known.

April 8, 2012

Conjurer

Filed under: Creative Works — Dave Pollard @ 15:37

(just for fun, a repost of  story I wrote in January 2009)

cartoon by charles barsotti; purchase his work here

You say you want it fixed. It is not good enough, you say, it does not work the way it was supposed to, the way it was advertised to work. It does not meet your expectations.

All right, then, I will look at it. I will perform a laying of hands on it, and free it to become what it was intended to be. I will mind-meld with it, to enlighten it. I will percolate it with my aura, blinding, pulsing waves of meaning, of intent.

But still I know it won’t be enough. It doesn’t soar, you say. It doesn’t end world poverty. It does not make you desirable to others by whom you wish to be desired. It lacks resonance, purpose, that old magic.

I bring it into the shop. I apply torque, and ratchet it up tighter. I mesmerize it, enthrall it with my very presence. It offers to do anything I want, so I ask it to grant you a hundred wishes, provided they are each worded in the form of a question.

Won’t do, you insist. It doesn’t sparkle, enchant. It cannot cut through steel, or broken hearts. It shudders when it hears the cries of children. It leaves calcium deposits, puncture wounds, a bitter aftertaste.

I take it to the specialist, the guru, the wizard, the doctor of imperfect things, the one who surpasseth understanding. I am in tears now, pleading for improvement, repair, freedom from the pain, the injury, the injustice.

The all-knowing one blesses it, decrees it to be of the highest colour, beyond colour even, achieving perfect clarity, integral, transcendent, at one with the force, copacetic.

But as soon as you see it, you frown. It still hasn’t provided global liquidity, you complain. Poxviruses continue to proliferate, everywhere there are locusts, sexual dysfunctions, fungi, celebrity scientologists, plagues of idealists, reality tv. It’s not working, it’s worse than useless. Take it away, you demand.

So I do. I wrap it in feather down and steal it away, in my arms, through the blizzard, the sandstorm, the anticyclonic gloom. I place it in a pyramid, which I place in turn in a box of styrofoam worms.

I return empty-handed, chastened, cleansed. I should have known better, I confess. I throw myself at your mercy. I genuflect, bow, drill holes in my forehead, scrub myself with baryons, admit to past indiscretions, libels, illicit thoughts about checkout girls, minor felonies involving periscopes, bicycle seats.

You are inconsolable. It’s not that, you say, not that thing that you kept trying to fix. It’s you. You are the cause of the epidemics, assassinations, Davos conferences, stuttering, extreme sports, anomie, conspicuous consumption, genital warts, Nascar, pthalates, failure to achieve cold fusion, failure to achieve carbon sequestration, YouTube beheading videos.

There is no defence for this. I failed to factor in the causes and effects, do the multivariate analysis. I ask how I should pay for this, what should be my recompense.

Accept responsibility, you reply. That is enough. Carry that weight. Push that rock uphill, and don’t stop. Wear a sign on your forehead, so everyone will know.

I sighed. This was much worse than I had feared. I had expected hanging, electrocution by faulty taser, lethal melamine injection, death by water.

I had hoped for excommunication, banishment.

Exile.

October 28, 2011

Me & You: A poem by Portia Jeri Frazier

Filed under: Creative Works — Dave Pollard @ 14:49

[Last month, at the behest of my friend Colleen Wainwright, I made a contribution to an organization called WriteGirl that helps young women become skilled writers, through writing workshops and by partnering them with professional women writers. Colleen's campaign offered several rewards for contributions, and I chose the option to have a poem written for me by one of the WriteGirls on a topic of my choice. I asked that the topic be Their message to my generation, considering what a mess we have made of the world we are leaving to them. I told them that if this was too difficult an assignment, that was fine -- they did not need to send me anything. Earlier this week I received the poem that follows from 21-year-old Portia Jeri Frazier (photo above). Needless to say, I was dumbstruck -- well-crafted, clever, creative, exhibiting the skills of an exceptionally competent and experienced poet. Portia has kindly given me permission to repost the poem on my blog along with her photo. She of course retains all rights to this work, which should not be reproduced further without her permission. If you'd like to see more of Portia's, and other WriteGirls' work, they have several award-winning anthologies you can buy. Thanks, Portia, and Colleen, and all the WriteGirls and their mentors, for your important and inspiring work.]

Me & You

by Portia Jeri Frazier

To measure a generation against the vastness of the earth,
We humans overestimate our own worth.

The earth is without time, holds deeper memory.
It has survived change, brought about by misery.
How many species have risen on her skin?
How many have passed, taken back within?

Our danger is to ourselves, and to our animal kin.
The earth, she can shed us, and have new life begin.

Effects are transient, with no lasting impression.
I do appreciate your confession.
There is no blame, no finger to be pointed.

No need for new heirs to be anointed.

Her strength is recovery, however long that may be.
No fear in the sky, or in the rising sea.

Sun heats the water. It rises into steam.
Collected in clouds, then rain as in a dream.
The heat builds, and ice melts as before.
The earth tilts her axis toward a new shore.

She is the master of juggling,
Nothing new in struggling.

Here to evolve
Me and you,
Do what is right,
Change what matters.
Decide for yourself,
Leave blame in tatters.
Here to evolve
Me and you.

September 28, 2011

worse, still

Filed under: Creative Works — Dave Pollard @ 02:03

it’s important for us to believe
we live a better life than birds.
without that faith we could not go on
we would have to give up everything
and be merely
free.
…..
“it could be worse…”
say Hopeful Man and Hopeful Woman
in unison, seeking reassurance,
“we could be enslaved, imprisoned,
we could be beaten down daily, without reason,
we could be in constant pain,
ill, hospitalized, with no chance of discharge,
we could be homeless.

or we could be dependent on others
we do not know and who do not care about us,
we could be wracked each moment with fear,
or anger, or unrelenting grief,
or paralyzing anxiety,
locked in a hell inside our own heads.
we could have no way out.”

at night we wonder, though,
if all these “worse” possibilities became real,
and life really was worse,
would we know, or would we just think, gratefully,
it could be worse still?

but we can’t imagine.

in the morning a bird soars overhead
singing anotherway anotherway
but we can’t hear over the noise
of construction, development, improvement of the land,
the noise of deception and distraction and of propaganda,
the noise inside our own heads.

at night i dreamt, restlessly,
of walking out, in the dark,
and pitching a tent, by candlelight, in the deep forest,
with warm blankets and soft cushions
and sixty days of rations for my sustenance
where i lived, naked, not seeing another human,
and said and read and heard no words.
i was ready to die of loneliness
because that would be at least
an honest death.

and after sixty days
i ceased to think in words
and learned that i was not alone
and could not be, and that
the company of my own species
was just invention,
an idea we made up, together
so we would not go insane
in this life
that could be worse.

November 23, 2010

ready as Noah

Filed under: Creative Works — Dave Pollard @ 18:45

dave in portland

(photo by Cheryl Long)

ready as Noah

so i gathered the members of my community
and we prepared our Transition Plan:
we’re set to handle a world without cheap oil,
without a stable climate,
without an industrial ‘growth’ economy,

and i’ve done the Work That Reconnects
so i’ve come to grips with the unbearable grief for Gaia
that has weighed on me all my life, and moved on,

and every day i read the latest post-civ advice
from Casaubon, the Druid, and the Automatic Earth
and the newest evidence that the Long Emergency‘s begun,

and each evening i learn to play the sad music
of world-weary worried singer-songwriters
who sensed what was going on years ago
but couldn’t quite put it into words.

i’ve shrunk my dreams and expectations
to such a sustainable degree
that even the “i”s i write are small letters,

and my footprint’s now so small
it doesn’t even leave tracks in the snow.

i should be ready as Noah.

so what do i do now,
when there’s nothing more that must be done
and in this newly terrible world
nothing seems easy or fun anymore?

i thought my role would be to chronicle collapse,
and through my gentle fiction
help the ones still here beyond the end of days
imagine better ways to live

but now that seems a joyless task
whose purpose is not clear
and whose intended readers do not care
what i’d presume to tell them anyway.

i’m learning, much too late in life,
how to be present, self-accept, how to be generous
and love without restraint
and to let go the unreal stories
taught to me by those with best intentions,
and repeated to myself ’til i went mad.

i’m learning now to live a natural life, and value time,
and simply be
the space through which stuff passes.

Derrick Jensen tells us all to listen to the land
and in good time we’ll know exactly what to do,
but i’ve been listening hard
and my land merely whispers words
i cannot hear or understand.

so now i simply wait to learn the role
the world intends for me.

oh hurry up please world i’m waiting now i’m ready
can you tell me
, ’cause i owe you so much
and i feel your suffering
in this dark and empty hole inside my heart:
what can i do to pay you back for all you’ve given me
throughout my privileged western life?

i’ll be your Noah, Gaia, i am ready
but i don’t know what to do…

June 18, 2010

What the Bird Said

Filed under: Creative Works — Dave Pollard @ 23:44

chickadee by  tinyfishy
photo by tinyfishy

I had been for a run in the forest, and now, back home, I stopped to rest, sitting on a mossy rock near my house.

A chickadee flew down and perched on the cedar tree above me. “I know about you,” she chirped to me. “We’ve heard your story. It seems as if you’ve followed the advice that gaia gave you two years ago, and changed your life in many ways. But you are still obviously lonely and full of grief. You still haven’t found what you’re looking for. So tell me why this is, why you’re so sad in this place of such astonishing beauty?”

“Well, first…” I replied, “In my dreams, and songs, and ideal world, I can be who I really am. I don’t have to pretend to be something I am not. When I discover a woman who’s beautiful and smart and passionate and grounded and full of energy, I dream that it’s easy to just express my feelings to her and, wordlessly, we fall in love, and express that love, endlessly and effortlessly. I don’t want to work so hard to find and sustain love. But it seems the women I want to love are not interested in me. And I’m not interested in loving the women who are, at least not in the ways they want to be loved. So I’m discouraged, and feel guilty, and just tired of trying.”

“Still thinking far too much, I see,” chirped the chickadee. “If you’re going to be one with gaia you’re going to have to learn to trust your senses, your feelings, your instincts, and stop letting your head get in the way. Listen to your soul song, it tells you that the real you is destined to love, to fall in love, again and again, and whether that love is reciprocated or not does not matter. That is who you are — you know that. All you can do, when you find someone you are drawn to in that primal way, is make the offer, the invitation — be clear and honest and authentic about how you feel. Instead of getting discouraged by rejection, learn from it, and try again. If it takes a hundred or a thousand rejections before the ones you choose to love accept that love, and give you what you want in return (perhaps only their presence), then that’s what you must do. That is what you live for. So live – fly! – my poor sorrowful friend. Have the courage of your convictions.”

“Here is my first question for you –” she continued. “What is holding you back? Why are you still afraid, or unable, to be authentic, to put yourself out there, to be who you really are, raw, damaged, and extraordinary? What do you have to lose, now?”

I thought about her question, and as I did so she asked “What else? Why else are you so sad, so full of grief?”

“I want my life and my relationships to be easy, joyful, playful. Natural. But beneath the smiles and laughter, as I get to know people, there is only darkness, sorrow, anger, self-hatred, shame. The relationships I long to be uplifting turn out to be disheartening, burdensome, a chore. So while I want to find like minds, to play, to be close to people, I end up fleeing, disappointed and weighed down, preferring my own company.”

The chickadee looked at me incredulously, and then sang, slowly: “You know why this is; you’ve said it yourself a thousand times. What you perceive in other people is your own imagining, what you want them or expect them to be, not who they really are, since you will never know who they really are. So the darkness, the sorrow, the neediness, the emptiness you perceive in others is simply a reflection of what you are projecting, reflected back at you like in a mirror. And this darkness, this lack of joy and playfulness in you is not something you should be dismayed or dissatisfied with. It is a terrible, terrible world your human kind has created. You are right to be filled with unbearable grief. No one else can ‘cure’ those dark feelings by being a ‘sink’ of joy and playfulness that will draw out and heal all the grief and pain within you. You must know that you cannot expect others to ‘fix’ your sadness.”

“So here is my second question for you –” she chirped, quietly. “Why are your expectations of yourself, and of others, so absurdly high, and why are your judgements of yourself, and of others, so bitterly harsh?

There was silence for a moment, and it began to rain. “Go on,” said the chickadee, “loneliness, grief… there is more; what else is causing you sadness?”

“I still haven’t found where I belong,” I replied. “I know it’s someplace natural, someplace warm. But the places I find, as beautiful as they may be, are too cold. They are unaffordable, which means most of the people around are people who have given their souls for money, people I abhor. And these places are unsustainable. They are living on borrowed time, waiting for the bulldozers and chain saws and “developers” to desolate them, turn them into everyplace else. Into wastelands. So I am still homeless.”

“Still stuck in human clock time,” replied the chickadee. “You cannot live in fear of the future, grieving what has not yet happened, regardless of its likelihood. As for finding your place, you cannot expect it to announce itself to you. You must pay attention, listen, hear its call. This place you belong, your home, will require you to become a part of it. You will have to learn about it before you can do that, before you can belong to it. You have lived so long inside your head that living in the real world as part of all-life-on-Earth will not be quick or easy for you — you have a lot to unlearn. But first you have to open your heart and your senses and your body and your intuition and really be present with all these parts of you, all these non-intellectual, visceral ways of knowing, to find your true home. As long as you are stuck in your head you will never find it.”

“That brings me to my third question for you,” she continued. “Why, with all the unlimited freedom you have now, is it so hard for you to just let go? To just be. To weep. To free yourself from your stories about the past and future, about what others think of you or might think of you, and about who you should be or what you should do. To walk away from the prison of self-colonization?”

I sighed. A fog was rolling in.

“There is yet more behind your sadness, isn’t there?,” chirped the chickadee. “Go on then — loneliness, grief, homelessness, and…?”

“Directionlessness, I guess,” I replied. “I want to discover what I’m meant to do, and that means I have to find who I’m meant to collaborate with. I want to find people who share my beliefs, my ideas, my intentions. But all that is so contextual on where you’ve come from, and my journey of learning and discovery has been so unique, so privileged, so solitary, that whenever I think I’ve found people who want to do the same things I want to do, and who share my view on how to go about doing them, I discover that either I misunderstood or they did, and that what I want to do and what they want to do are completely different, completely out of sync. I keep thinking that I’m ‘too far ahead’ to find collaborators, but I suspect it’s not that at all. We all sail alone, and the waters I’m sailing in aren’t those of the mainstream culture or any of the alternative cultures out there. I’m in my own ocean, a culture of one, of my own imagining, and I’m despairing of ever finding other intelligent life in this empty place I’ve taken myself.”

“Artists are often solitary creatures,” replied the chickadee. “Whether you realize it or not, you are already doing what you’re meant to do. In everything you write and talk about you are, in one way or another, ‘re-presenting’ natural life in contrast to life within industrial ‘civilized’ culture. You’ve described yourself as ‘vegan, earth-loving, poly, unschooled, nudist, intuitive, anarchist, hedonistic, and a dreamer’ and in these attributes you personify the natural life you re-present in your imaginative and creative writing. This is your gift to the world, what you’re meant to do. Carry on, because there is much more work that needs to be done here. Most people still can’t imagine another way to live, and until they do there is no hope for your poor befuddled species.”

“As to how to find collaborators, people who share your worldview on what needs to be done, and who would want to work on that with you, perhaps my fourth question to you may help you address that. My fourth question,” she chirped,”is this — if someone were looking to collaborate with you, how would they find you and persuade you to work with them? In other words, Where would you look for you?

We just looked at each other for awhile, and finally I nodded and thanked her and asked if there were something I could offer her in return. As she flew away she chirped: “You’re already doing it.”

April 6, 2010

The Desolation of a Continent: Notes From a Road Trip (Part 1 of 2)

Filed under: Creative Works — Dave Pollard @ 19:54

RoadTrip1

The original plan was to sell my car (’02 Honda Odyssey minivan) in Toronto, and to live car-free forever after. It turned out that there are so many cars on the market that what I was offered was less than the cost of my last repair. So I decided that, after helping my ex to pack up her belongings (and throw out the accumulated junk of thirty years of cohabitation), I would load up the few things from the old house in Caledon (Ontario) I wanted, and make one final road trip across the continent to my new home on Bowen Island (part of greater Vancouver BC) — 5100 km in seven days of driving. One more trip ‘for the road’ to see if I could learn something more about (North) America before permanently retiring my car (except for emergencies). Of course, I have kept a journal. Here is the first of two posts on my road trip.

So far (days 1-4) a few things have really stood out for me. The first, as the title of this post suggests, is the awful realization that this vast continent has been systematically pillaged, despoiled, used up, and ruined. North America is not an easy continent to tame. It’s rugged, sprawling, and compared to most continents inhospitable to humans. It’s intimidating in its sheer vastness and its ecological extremes — impassable mountains and forests, savage storms, staggering expanses of prairie, bleak steppe (some of it called ‘badlands’), swamp, brush, tundra and desert, extremes of temperature and humidity, insect hordes so thick and relentless they can drive you insane. It’s hard not to sympathize with the pioneers who did everything they could to conquer and subdue everything natural on this continent.

But they have now succeeded all too well, and the damage we have done is now accelerating and out of all control. There are substantially no wild places left in the inhabitable parts of the continent. We have clear-cut almost all of the forest that once covered much of the continent, and clear-cut the prairie and steppe as well, planting the former in monoculture grains and allowing grazing animals to consume the latter, so that now we have moved most of the grazing animals to feedlots, crowded together in vast concentration camps of misery, stench and horrific confinement, with nothing natural to eat and no place natural to spend even a tiny part of their ghastly lives. We stupid humans still don’t realize that animals are not ours, they are not meant to be confined, and they suffer terribly in our heartless corrals and cages. As I drove across this continent I could hear the constant and collective scream of the land and all the life that struggles to live upon it. We have desolated a continent that the pioneers thought could never be tamed, and now we are killing it with increasing energy and skill.

On the bookshelf of one of the B&Bs I stayed at on this trip was a 40-year-old book called America the Raped: The Engineering Mentality and the Desolation of a Continent. The author spoke about the need to change our mindset about our relationship with nature before we destroyed it all. Forty years later it is too late, and we’re still pumping out books with the same weary message. The place you love is gone. We cannot be other than who we are.

RoadTrip2

St Joseph Michigan — a packed Mexican restaurant

The second thing that has stood out for me is how well-intentioned, caring and hard-working almost all North Americans are. They are busy coping with the needs of the moment and trying to do their best for those they love, to be good citizens and providers and parents and workers. They have neither the time nor the information and education to know what is really going on in the world, so they believe what they’re told by those they trust, and they do their best. And they’re cheerful, and hopeful, to a degree that makes no sense. Ignorant, distracted, bewildered, still full of dreams and unintentionally playing perfectly their role in the brutal destruction of their land and our planet.

And the third thing that has stood out for me is the startling evidence of the disappearance of the middle class, and the unimaginable debt load of the ‘average’ North American (i.e. working/unemployed class North Americans, in contrast to those in the shrinking privileged class). I’ve tried to get everyone I meet to tell me their stories, and these stories just make me shake my head. I drove through two neighbouring communities on the Lake Michigan coast. The first, Benton Harbor, looked as if someone had set off a bomb in a struggling nation: whole blocks leveled or completely boarded up, and the only people I saw on the street were drunks and scavengers through the garbage, which was everywhere. A dock town, it is bankrupt, being run (according to the local radio station) by a receiver for the state and unable to pay back wages owed its civic employees. It is not the only, or largest, town in this predicament.

Yet right beside this town is the town of St Joseph, which is affluent, full of mansions and busy restaurants and resort hotels, with a downtown full of trendy shops and tourist attractions. The two towns sit in apposition, a statement of two economies, two societies, two worlds in one place, each apparently oblivious to the other and what it all means. I saw this juxtaposition everywhere — the larger cities in each state are clogged with construction projects financed with stimulus money, and (with a few exceptions, like Detroit) look to be thriving, while the small towns and countryside look mostly deserted, abandoned, lost, with excellent businesses dying for lack of customers, roads crumbling and streets empty.

I spoke to people who admitted that they had $40,000 in credit card debt, making minimum payments each month, and paying 28% interest on balances. I spoke to people who admitted they had $200,000 in medical debts that they never expected to be able to pay back. I spoke to people who said the only chance they had to ever pay off their mortgages would be if someone offered them twice their home’s current value. I spoke to people who have been running successful and respected small enterprises for thirty years, and are still in debt over their heads, and are now, suddenly, thanks to this endless economic crisis, teetering on the edge of bankruptcy. I looked at houses once valued at $200,000 now valued at $30,000. The only people I spoke to who had no debts were those who had no assets. But then I didn’t speak to anyone in the privileged class.

This is slavery, except that now the slaves either don’t know it or think it’s their own fault.

RoadTrip3

Beyond these three major observations, here’s what else I saw (or think I saw — it’s sometimes hard to say when you’re whizzing by so much so fast and when the stories you hear are anecdotal):

  • Canada is living in a real estate bubble that cannot continue. The Canadian and US economies are joined at the hip, and it just doesn’t make sense that Canadian real estate prices haven’t fallen significantly, and are now (my guess) close to twice those of comparable houses in comparable places in the US.
  • It took me 2.5 hours to cross the border. There were no Americans going home, just Canadians going south to shop now that our dollar has again reached parity with the US dollar. And while US services are cheaper than those in Canada, there’s no evidence that the stuff Canadians go to buy (mostly, apparently, electronic and textile products made in China) are any cheaper. Insanity. This is what ‘recreation’ has come to.
  • While I’ll admit it’s not tourist season, there was almost no out-of-state traffic on any of the interstate highways, except for long-haul trucks. When I was younger we used to play a game of crossing off each state and province on a map when we saw a licence plate from that place. This game has become much, much harder. Most of the traffic on the roads, outside of the cities (where the interstates are actively used by cars presumably going to the big box malls), was semis.
  • I was intrigued at the psychology of speed limits. In areas where the limit was 55mph, traffic drove mostly at 65mph (trucks 60mph). Where the limit was 65mph, traffic drove mostly at 70mph (trucks 65mph). Where the limit was 75mph, traffic drove mostly at 75mph (trucks 70mph), and there were almost no speeders.
  • I expected to see a lot of anger and hear news of violence and acts of meanness born of frustration at the poor state of the economy, the waste and theft of the bankers and corporatists, and the disconnection between politicians and people. I didn’t see it. I’m sure cynical politicians and corporate exploiters are able to effectively stir it up for the mainstream media when it serves their purposes by playing on public ignorance, but for the most part people don’t seem very cynical, or depressed, or angry. I think they’re a bit frightened and overwhelmed, but they’re still hopeful. The meanest things I saw were the road signs telling you what the fine and jail terms were for hitting a road worker with your car. Even the strange billboards for ‘entertainment centers’ where you could try shooting a ‘real machine gun’ didn’t seem designed to play off anger, but rather childish curiosity.
  • It’s hard not to get overwhelmed and intimidated by the sheer scale of the landscape of North America. Everything is too big, too wide, too far apart. When you’re driving, even on the interstates, the hazards seem so large that you want to ask everyone for reassurance that it’s safe. Blizzards, huge tumbleweeds, dust storms, black ice, sleet, whiteouts, rain and fog that comes from nowhere and reduces visibility to zero, rockslides, gale force winds and tornadoes, wild animals darting across the road. The mountains seem so high and daunting that you can’t imagine you’ll ever be able to cross them. The prairie and brush areas go on for so long you forget what state you’re in. The whole landscape seems, well, cruel.

RoadTrip4

I’m also learning to ask the locals questions — what are the best B&Bs, restaurants, routes. We settle for consistency in chain restaurants and hotels when we travel, when we could get much more — better value, and wonderful stories — by trusting people in each community to tell us what their best places are.

More in Part Two, probably in a week or so once I’ve had the chance to digest my thoughts.

December 9, 2009

Veg-nettes

Filed under: Creative Works — Dave Pollard @ 14:05
This is a continuation, as the year draws to a close, of a set of short vignettes I wrote as the year began.
rawliciousIV

a couple with urgent, anxious looks in their eyes
enter a vegan cafe;
their basset hound companion lies down in front of the cafe
to wait, as if she were accustomed to this routine

the couple brings in a wheeled baby carriage
piled high with old, worn plastic bags full of what i guess to be used clothes

they sit, squeezed together, in one huge overstuffed chair by the door
and kiss, then order, carefully, from the menu;
he pulls out a newspaper with a bunch of ads circled
and they talk about them, pointing in various directions at the street
to show where, relative to the cafe, the addresses in the ads are located

the cafe worker who brings their food knows them
and they chat for a few moments;
he proudly puts his hand on his partner’s stomach
and she smiles and blushes

he is wearing a pair of sad, threadbare gloves
as he counts out the coins for the bill
reaching twice into his pocket to ensure he has enough

as they leave, the worker congratulates them;
they feed the leftovers to the basset, who eats them enthusiastically
and then the woman takes the newspaper with the circled ads
and walks off in one direction
and the man takes the basset’s leash
and walks off in the other

V

at a table near the back of the cafe
a young woman sits reading;
she is wearing a cap with cat ears, and a striped jacket with a cat’s tail,
and a giant black felt hat with a slip marked “5 1/2″ tucked in the band

at the next table a woman and her young daughter are eating vegan nachos
and the girl laughs and points at the cat-woman
and is shushed by her mother

the cat-woman smiles and winks at the little girl
and then signals her in mime — a raised finger “wait”
and then the finger curls in and wags slowly “come over here”
as she pulls an ocarina out of her bag
and begins to play a haunting tune

and the little girl, delighted, begins to dance among the tables

VI

a man with a sad smile comes into the cafe
and sits, alone, at a table for two,
pulling out his laptop, logging in,
tapping the keys slowly, hesitantly

a kris delmhorst song comes on the cafe’s music system
and he quietly sings along:

after all of these years, look at me here
with a love song stuck in my throat
got the weight of the world on my shoulders, i won’t let it go

how can i dive right down in the deep blue sea
and still hope to find my way home
when i stumble on my way to the shore,
when all of the airplanes, all of the cars,
and all the miles in the world
are still not enough to quite reach your door

after all of these years, will you look at me here
with this love song stuck in my throat
got the weight of the world and there’s not too much else i can hold

he’s smiling broadly now, a giant grin from ear to ear
but if you look closely, you can see
his face is streaked with tears

Category: Poetry

December 6, 2009

2200: A Travelogue

Filed under: Creative Works — Dave Pollard @ 08:51

baraka
image from the 1992 documentary film “Baraka”

For over five years I have been working on a novel tentatively called The Only Life We Know. The novel is set in the year 2200, a century or more after the crash of our civilization. It presumes that in 2009 we are at or near “peak everything”, and that all of the activities that have accelerated up an every-increasing curve since 1800 (or in some cases before) — consumption of land and natural resources, human population, pollution emissions, and production of more and more stuff, most of which ends up in landfills or worse — will soon follow a similar sharp drop down the other side of the normal curve, such that in 2200 we will be back to pre-industrial levels, 90% below today’s. So in my setting in 2200 there are only 500 million people left on the planet, a population that continues to drop gradually. The economy is subsistence and local, since there is no cheap oil to enable significant long-range transportation of goods or people.

But it is the opposite of the popular, violent “Mad Max” scenario of post-civilization collapse. A study of history indicates that, unlike inter-civilizational wars, post-civilizational collapses are generally quite peaceful, although they do entail in their early-collapse stages a lot of death (mostly from starvation and disease), suffering and turmoil. Most civilizational collapses (read Jared Diamond or Ronald Wright) have been mass exoduses, as people flee fragile, unsustainable centralized locations in search of land, food and water to make a new, community-based beginning. They are, on a mass scale, a “walking away” from complicated systems that simply no longer work.

My novel presumes that, as a decreasing number of humans fan out into the countryside, they find much of it degraded, but (especially in more Northern areas) they discover plentiful unused land suitable for small collaborative settlements, with solar power and permaculture providing a new sustainable way of life (I am hoping these recently-rediscovered technologies will not be lost along with our civilization’s soon-to-be useless oil-dependent technologies).

And, as the buffers between communities get larger (with diminishing population) and transportation and other social interaction between communities become rarer, I sense that what will happen by 2200 is what we discover in most isolated gatherer-hunter societies: A staggering degree of cultural diversity, with a de-homogenization of language, adornment and behaviour, to the point that adjacent communities may be so different as to be nearly unrecognizable to each other.

The principal driver for this will be de-urbanization, a hollowing out and abandonment of cities (also very common in civilizational collapses), since cities are inherently dependent on outside resources and hence are inherently unsustainable. We won’t go back to the Wild West or slavery or feudalism, though; instead we’ll go forward to a world that combines ancient indigenous wisdom with today’s and tomorrow’s (to the extent they can be tweaked to be sustainable) innovations — gliders, hot-air balloons, grafting of plants, straw-bale construction, human- and solar-powered looms, cameras, recordings, and other creative, artistic and scientific devices.

The original plan was to bring this out in a series of short stories within the novel, each about one such culture, narrated by a young nomad travelling between them, and interspersed with a gradually-revealed story about the civilizational collapse that preceded this new beginning. I envision a proliferation of new local languages by 2200, completely different forms of art, wildly divergent spiritual beliefs etc., in each community, and I had intended to present these in the novel through conversations between the travelling nomad and the citizens of each community, and her observations and reflections about these communities.

But I recently started thinking about another way to do this, that would get around the challenges of trying to depict such completely alien cultures and languages using written text in our very limited and culturally constrained 21st century languages. What if, instead of presenting this future in a novel, I presented it in a film? And what if, instead of writing a screenplay with dialogue that has the same problems of language as a novel, the screenplay had no words? What if, in other words, it were presented as a kind of two-centuries-later update of the cultural documentary Baraka (a Sufi word meaning “the weaving of life together”)?

For those not familiar with this film, or with the films that inspired it — Koyaanisqatsi (Life Out of Balance) and Powaqqatsi (Life in Transformation) — Baraka is a set of twenty sequential visual vignettes, of about five minutes duration each, set in places around the world, depicting different aspects of the human condition. It has no plot, no actors, no script (in the conventional sense) and no dialogue.

The picture above from this film is of a girl from the Kayapo tribe in the Brasilian rainforest. It could easily, I think, also be in my film set in the year 2200.

I have been working with a cinematographer friend, Danielle Seville, to scope out how we could make this film. What I envision is starting with a set of premises about life in 2200 — mainly, that it would be peaceful, joyful, sustainable, and diverse, a world where (like humans did before the invention of tools and technologies) we scavenge much of what we need — except that in 2200, we will scavenge largely from the abandoned relics of the “civilized” world. It will be a world of sufficiency but also one of great comfort and spiritual rediscovery, as we will have re-learned how to live in the natural world, in concert and in balance with the rest of life on Earth.

afterculture
image of post-civilization world from afterculture

To try to imagine such a diverse future world is, I think, beyond the capacity of any one person (I’ve certainly tried, as hundreds of pages of discarded text from my novel attest). So instead, what I intend to do is to bring together a group of very imaginative people in a Creation Event and have us work collaboratively to develop the imagery, future cultures, music and sound the film would capture. I envision having artists and anthropologists and students of indigenous cultures past and present among the collaborators. I can see us sketching out and improvisationally acting out the scenes in real time, wordlessly, in Open Space. We’d have make-up artists and henna artists and tattoo artists and body-painters and animators and photoshoppers developing models of what we would look like and how we’d behave, using the participants as their canvasses. The Creation Event would itself be filmed.

And then it would be my job, working with Danielle and her team, to craft a screenplay with “scenes from the future” that captures all of these ideas, and then to assemble a team of improvisors (not actors, really) to wordlessly act out these brief scenes.

Part of the challenge will be to capture the reconnection of the human species with all-life-on-Earth, with scenes (like the image above from Baraka) that position us in the context of a rediscovered natural world, one that envelopes and welcomes and towers over us (rather than one we try to control), and offers us food, shelter, water, meaning, love — everything we ever needed. Much of the film, then, will not portray humans at all, but rather the natural places where we will then live, and the creatures we will share those places with, in sacred balance.

That’s the idea so far, anyway.

Category: Creative Works

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