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	<title>how to save the world &#187; Creative Works</title>
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	<link>http://howtosavetheworld.ca</link>
	<description>In search of a better way to live and make a living, and a better understanding of how the world really works.</description>
	<lastBuildDate>Fri, 11 May 2012 09:52:25 +0000</lastBuildDate>
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		<title>Conjurer</title>
		<link>http://howtosavetheworld.ca/2012/04/08/conjurer-2/</link>
		<comments>http://howtosavetheworld.ca/2012/04/08/conjurer-2/#comments</comments>
		<pubDate>Sun, 08 Apr 2012 22:37:02 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/?p=5013</guid>
		<description><![CDATA[(just for fun, a repost of  story I wrote in January 2009) cartoon by charles barsotti; purchase his work here You say you want it fixed. It is not good enough, you say, it does not work the way it was supposed to, the way it was advertised to work. It does not meet your expectations. [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-size: x-small;">(just for fun, a repost of  story I wrote in January 2009)</span></p>
<p><img src="http://howtosavetheworld.ca/images/barsottiangrydisappointed.jpg" alt="" width="350" height="351" /></p>
<p><small>cartoon by charles barsotti; purchase his work <a href="http://www.cartoonbank.com/search_results_category.asp?mscssid=WTP116P3E27A8NGDRS3KLEK3Q76701RF&amp;sitetype=1&amp;advanced=1&amp;oldSection=all&amp;artist=Charles+Barsotti&amp;section=cartoons">here</a> </small></p>
<p><small> </small><big><big><big>Y</big></big></big>ou  say you want it fixed. It is not good enough, you say, it does not work  the way it was supposed to, the way it was advertised to work. It does  not meet your expectations.</p>
<p>All right, then, I will look at it. I will perform a laying of hands  on it, and free it to become what it was intended to be. I will  mind-meld with it, to enlighten it. I will percolate it with my aura,  blinding, pulsing waves of meaning, of intent.</p>
<p>But still I know it won&#8217;t be enough. It doesn&#8217;t soar, you say. It  doesn&#8217;t end world poverty. It does not make you desirable to others by  whom you wish to be desired. It lacks resonance, purpose, that old  magic.</p>
<p>I bring it into the shop. I apply torque, and ratchet it up tighter.  I mesmerize it, enthrall it with my very presence. It offers to do  anything I want, so I ask it to grant you a hundred wishes, provided  they are each worded in the form of a question.</p>
<p>Won&#8217;t do, you insist. It doesn&#8217;t sparkle, enchant. It cannot cut  through steel, or broken hearts. It shudders when it hears the cries of  children. It leaves calcium deposits, puncture wounds, a bitter  aftertaste.</p>
<p>I take it to the specialist, the guru, the wizard, the doctor of  imperfect things, the one who surpasseth understanding. I am in tears  now, pleading for improvement, repair, freedom from the pain, the  injury, the injustice.</p>
<p>The all-knowing one blesses it, decrees it to be of the highest  colour, beyond colour even, achieving perfect clarity, integral,  transcendent, at one with the force, copacetic.</p>
<p>But as soon as you see it, you frown. It still hasn&#8217;t provided  global liquidity, you complain. Poxviruses continue to proliferate,  everywhere there are locusts, sexual dysfunctions, fungi, celebrity  scientologists, plagues of idealists, reality tv. It&#8217;s not working, it&#8217;s  worse than useless. Take it away, you demand.</p>
<p>So I do. I wrap it in feather down and steal it away, in my arms,  through the blizzard, the sandstorm, the anticyclonic gloom. I place it  in a pyramid, which I place in turn in a box of styrofoam worms.</p>
<p>I return empty-handed, chastened, cleansed. I should have known  better, I confess. I throw myself at your mercy. I genuflect, bow, drill  holes in my forehead, scrub myself with baryons, admit to past  indiscretions, libels, illicit thoughts about checkout girls, minor  felonies involving periscopes, bicycle seats.</p>
<p>You are inconsolable. It&#8217;s not that, you say, not that thing that you kept trying to fix. It&#8217;s you. You  are the cause of the epidemics, assassinations, Davos conferences,  stuttering, extreme sports, anomie, conspicuous consumption, genital  warts, Nascar, pthalates, failure to achieve cold fusion, failure to  achieve carbon sequestration, YouTube beheading videos.</p>
<p>There is no defence for this. I failed to factor in the causes and  effects, do the multivariate analysis. I ask how I should pay for this,  what should be my recompense.</p>
<p>Accept responsibility,  you reply. That is enough. Carry that weight. Push that rock uphill,  and don&#8217;t stop. Wear a sign on your forehead, so everyone will know.</p>
<p>I sighed. This was much worse than I had feared. I had expected  hanging, electrocution by faulty taser, lethal melamine injection, death  by water.</p>
<p>I had hoped for excommunication, banishment.</p>
<p>Exile.</p>
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		<slash:comments>4</slash:comments>
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		<title>Me &amp; You: A poem by Portia Jeri Frazier</title>
		<link>http://howtosavetheworld.ca/2011/10/28/me-you-a-poem-by-portia-jeri-frazier/</link>
		<comments>http://howtosavetheworld.ca/2011/10/28/me-you-a-poem-by-portia-jeri-frazier/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 21:49:01 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/?p=4530</guid>
		<description><![CDATA[[Last month, at the behest of my friend Colleen Wainwright, I made a contribution to an organization called WriteGirl that helps young women become skilled writers, through writing workshops and by partnering them with professional women writers. Colleen's campaign offered several rewards for contributions, and I chose the option to have a poem written for [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-4531" href="http://howtosavetheworld.ca/2011/10/28/me-you-a-poem-by-portia-jeri-frazier/26265_1371080229814_1015987020_1124793_6628588_n/"><img class="alignnone size-full wp-image-4531" title="Portia J Frazier" src="http://howtosavetheworld.ca/images/26265_1371080229814_1015987020_1124793_6628588_n.jpg" alt="" width="302" height="403" /></a></p>
<p><span style="font-size: x-small;">[Last month, at the <a href="http://www.indiegogo.com/50-for-50">behest</a> of my friend <a href="http://www.communicatrix.com/">Colleen Wainwright,</a> I made a contribution to an organization called <a href="http://www.writegirl.org/">WriteGirl</a> that helps young women become skilled writers, through writing workshops and by partnering them with professional women writers. Colleen's campaign offered several rewards for contributions, and I chose the option to have a poem written for me by one of the WriteGirls on a topic of my choice. I asked that the topic be <em>Their message to my generation, considering what a mess we have made of the world we are leaving to them</em>.  I told them that if this was too difficult an assignment, that was fine  -- they did not need to send me anything. Earlier this week I received the poem that follows from 21-year-old Portia Jeri Frazier (photo above). Needless to say, I was dumbstruck -- well-crafted, clever, creative, exhibiting the skills of an exceptionally competent and experienced poet. Portia has kindly given me permission to repost the poem on my blog along with her photo. She of course retains all rights to this work, which should not be reproduced further without her permission. If you'd like to see more of Portia's, and other WriteGirls' work, they have several <a href="http://www.writegirl.org/publications.html">award-winning anthologies</a> you can buy. Thanks, Portia, and Colleen, and all the WriteGirls and their mentors, for your important and inspiring work.]</span></p>
<p><strong>Me &amp; You </strong></p>
<p><em>by Portia Jeri Frazier</em></p>
<p>To measure a generation against the vastness of the earth,<br />
We humans overestimate our own worth.</p>
<p>The earth is without time, holds deeper memory.<br />
It has survived change, brought about by misery.<br />
How many species have risen on her skin?<br />
How many have passed, taken back within?</p>
<p>Our danger is to ourselves, and to our animal kin.<br />
The earth, she can shed us, and have new life begin.</p>
<p>Effects are transient, with no lasting impression.<br />
I do appreciate your confession.<br />
There is no blame, no finger to be pointed.</p>
<p>No need for new heirs to be anointed.</p>
<p>Her strength is recovery, however long that may be.<br />
No fear in the sky, or in the rising sea.</p>
<p>Sun heats the water. It rises into steam.<br />
Collected in clouds, then rain as in a dream.<br />
The heat builds, and ice melts as before.<br />
The earth tilts her axis toward a new shore.</p>
<p>She is the master of juggling,<br />
Nothing new in struggling.</p>
<p>Here to evolve<br />
Me and you,<br />
Do what is right,<br />
Change what matters.<br />
Decide for yourself,<br />
Leave blame in tatters.<br />
Here to evolve<br />
Me and you.</p>
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		<title>worse, still</title>
		<link>http://howtosavetheworld.ca/2011/09/28/worse-still/</link>
		<comments>http://howtosavetheworld.ca/2011/09/28/worse-still/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 09:03:20 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/?p=4324</guid>
		<description><![CDATA[it&#8217;s important for us to believe we live a better life than birds. without that faith we could not go on we would have to give up everything and be merely free. &#8230;.. &#8220;it could be worse&#8230;&#8221; say Hopeful Man and Hopeful Woman in unison, seeking reassurance, &#8220;we could be enslaved, imprisoned, we could be [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-4325" href="http://howtosavetheworld.ca/2011/09/28/worse-still/prison-in-forest/"><img class="alignnone size-full wp-image-4325" title="prison-in-forest" src="http://howtosavetheworld.ca/images/prison-in-forest.jpg" alt="" width="650" height="430" /></a></p>
<p>it&#8217;s important for us to believe<br />
we live a better life than birds.<br />
without that faith we could not go on<br />
we would have to give up everything<br />
and be merely<br />
free.<br />
&#8230;..<br />
&#8220;it could be worse&#8230;&#8221;<br />
say Hopeful Man and Hopeful Woman<br />
in unison, seeking reassurance,<br />
&#8220;we could be enslaved, imprisoned,<br />
we could be beaten down daily, without reason,<br />
we could be in constant pain,<br />
ill, hospitalized, with no chance of discharge,<br />
we could be <em>homeless</em>.</p>
<p>or we could be dependent on others<br />
we do not know and who do not care about us,<br />
we could be wracked each moment with fear,<br />
or anger, or unrelenting grief,<br />
or paralyzing anxiety,<br />
locked in a hell inside our own heads.<br />
we could have no way out.&#8221;</p>
<p>at night we wonder, though,<br />
if all these &#8220;worse&#8221; possibilities became real,<br />
and life really was <em>worse</em>,<br />
would we know, or would we just think, gratefully,<br />
it could be worse <em>still</em>?</p>
<p>but we can&#8217;t imagine.</p>
<p>in the morning a bird soars overhead<br />
singing <em>anotherway anotherway</em><br />
but we can&#8217;t hear over the noise<br />
of construction, development, improvement of the land,<br />
the noise of deception and distraction and of propaganda,<br />
the noise inside our own heads.</p>
<p>at night i dreamt, restlessly,<br />
of walking out, in the dark,<br />
and pitching a tent, by candlelight, in the deep forest,<br />
with warm blankets and soft cushions<br />
and sixty days of rations for my sustenance<br />
where i lived, naked, not seeing another human,<br />
and said and read and heard no words.<br />
i was ready to die of loneliness<br />
because that would be at least<br />
an honest death.</p>
<p>and after sixty days<br />
i ceased to think in words<br />
and learned that i was not alone<br />
and could not be, and that<br />
the company of my own species<br />
was just invention,<br />
an idea we made up, together<br />
so we would not go insane<br />
in this life<br />
that could be worse.</p>
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		<slash:comments>6</slash:comments>
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		<title>ready as Noah</title>
		<link>http://howtosavetheworld.ca/2010/11/23/ready-as-noah/</link>
		<comments>http://howtosavetheworld.ca/2010/11/23/ready-as-noah/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 02:45:53 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/?p=3699</guid>
		<description><![CDATA[(photo by Cheryl Long) ready as Noah so i gathered the members of my community and we prepared our Transition Plan: we&#8217;re set to handle a world without cheap oil, without a stable climate, without an industrial &#8216;growth&#8217; economy, and i&#8217;ve done the Work That Reconnects so i&#8217;ve come to grips with the unbearable grief [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://howtosavetheworld.ca/images/Dave-in-Portland.jpg" alt="dave in portland" width="512" height="384" /></p>
<p><span style="font-size: small;">(photo by Cheryl Long)<br />
</span></p>
<p><strong>ready as Noah</strong></p>
<p>so i gathered the members of my community<br />
and we prepared our <a href="http://transitionnetwork.org/" target="_blank">Transition Plan</a>:<br />
we&#8217;re set to handle a world without cheap oil,<br />
without a stable climate,<br />
without an industrial &#8216;growth&#8217; economy,</p>
<p>and i&#8217;ve done the <a href="http://www.joannamacy.net/theworkthatreconnects.html" target="_blank">Work That Reconnects</a><br />
so i&#8217;ve come to grips with the <a href="../2010/05/30/what-i-havent-said/" target="_blank">unbearable grief for Gaia</a><br />
that has weighed on me all my life, and moved on,</p>
<p>and every day i read the latest post-civ advice<br />
from <a href="http://scienceblogs.com/casaubonsbook/" target="_blank">Casaubon</a>, the <a href="http://thearchdruidreport.blogspot.com/" target="_blank">Druid</a>, and the <a href="http://theautomaticearth.blogspot.com/" target="_blank">Automatic Earth</a><br />
and the newest evidence that the <a href="http://kunstler.com/blog/" target="_blank">Long Emergency</a>&#8216;s begun,</p>
<p>and each evening i learn to play the sad music<br />
of world-weary worried singer-songwriters<br />
who sensed <a href="http://www.jamestaylor.com/Music/Songography/JT_SongDetails.aspx?songid=14c1bee0-731d-4afa-8aa3-52e1287a14a8" target="_blank">what was going on</a> years ago<br />
but couldn&#8217;t quite put it into words.</p>
<p>i&#8217;ve shrunk my dreams and expectations<br />
to such a sustainable degree<br />
that even the &#8220;i&#8221;s i write are small letters,</p>
<p>and my footprint&#8217;s now so small<br />
it doesn&#8217;t even leave tracks in the snow.</p>
<p>i should be ready as Noah.</p>
<p>so what do i do now,<br />
when there&#8217;s nothing more that must be done<br />
and in this newly terrible world<br />
nothing seems easy or fun anymore?</p>
<p>i thought my role would be to chronicle collapse,<br />
and through my gentle fiction<br />
help the ones still here beyond the end of days<br />
imagine better ways to live</p>
<p>but now that seems a joyless task<br />
whose purpose is not clear<br />
and whose intended readers do not care<br />
what i&#8217;d presume to tell them anyway.</p>
<p>i&#8217;m learning, much too late in life,<br />
how to be present, self-accept, how to be generous<br />
and love without restraint<br />
and to let go the unreal stories<br />
taught to me by those with best intentions,<br />
and repeated to myself &#8217;til i went mad.</p>
<p>i&#8217;m learning now to live a natural life, and value time,<br />
and simply be<br />
the space through which stuff passes.</p>
<p>Derrick Jensen tells us all to <a href="http://www.orionmagazine.org/index.php/articles/article/170/" target="_blank">listen to the land</a><br />
and in good time we&#8217;ll know exactly what to do,<br />
but i&#8217;ve been listening hard<br />
and my land merely whispers words<br />
i cannot hear or understand.</p>
<p>so now i simply wait to learn the role<br />
the world intends for me.</p>
<p><em>oh hurry up please world i&#8217;m waiting now i&#8217;m ready<br />
can you tell me</em>, &#8217;cause i owe you so much<br />
and i feel your suffering<br />
in this dark and empty hole inside my heart:<br />
what can i do to pay you back for all you&#8217;ve given me<br />
throughout my privileged western life?</p>
<p>i&#8217;ll be your Noah, Gaia, i am ready<br />
but i don&#8217;t know what to do&#8230;</p>
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		<slash:comments>9</slash:comments>
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		<title>What the Bird Said</title>
		<link>http://howtosavetheworld.ca/2010/06/18/what-the-bird-said/</link>
		<comments>http://howtosavetheworld.ca/2010/06/18/what-the-bird-said/#comments</comments>
		<pubDate>Sat, 19 Jun 2010 06:44:17 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/?p=3380</guid>
		<description><![CDATA[photo by tinyfishy I had been for a run in the forest, and now, back home, I stopped to rest, sitting on a mossy rock near my house. A chickadee flew down and perched on the cedar tree above me. &#8220;I know about you,&#8221; she chirped to me. &#8220;We&#8217;ve heard your story. It seems as [...]]]></description>
			<content:encoded><![CDATA[<p><img style="width: 400px; height: 325px;" src="http://farm2.static.flickr.com/1247/529742433_bf736c2598.jpg?v=1193404010" alt="chickadee by  tinyfishy" /><br />
<small><span style="font-style: italic;">photo by <a href="http://flickr.com/photos/70938611@N00/529742433">tinyfishy</a></span></small></p>
<p>I had been for a run in the forest, and now, back home, I stopped to rest, sitting on a mossy rock near my house.</p>
<p>A chickadee flew down and perched on the cedar tree above me. &#8220;I know about you,&#8221; she chirped to me. &#8220;We&#8217;ve heard <a href="http://howtosavetheworld.ca/2008/06/02/what-a-little-bird-told-me/">your story</a>. It seems as if you&#8217;ve followed the advice that gaia gave you two years ago, and changed your life in many ways. But you are still obviously lonely and full of grief. You still haven&#8217;t found what you&#8217;re looking for. So tell me why this is, why you&#8217;re so sad in this place of such astonishing beauty?&#8221;</p>
<p>&#8220;Well, first&#8230;&#8221; I replied, &#8220;In my dreams, and songs, and ideal world, I can be who I really am. I don&#8217;t have to pretend to be something I am not. When I discover a woman who&#8217;s beautiful and smart and passionate and grounded and full of energy, I dream that it&#8217;s easy to just express my feelings to her and, wordlessly, we fall in love, and express that love, endlessly and effortlessly. I don&#8217;t want to work so hard to find and sustain love. But it seems the women I want to love are not interested in me. And I&#8217;m not interested in loving the women who are, at least not in the ways they want to be loved. So I&#8217;m discouraged, and feel guilty, and just tired of trying.&#8221;</p>
<p>&#8220;Still thinking far too much, I see,&#8221; chirped the chickadee. &#8220;If you&#8217;re going to be one with gaia you&#8217;re going to have to learn to trust your senses, your feelings, your instincts, and stop letting your head get in the way. Listen to your <a href="http://howtosavetheworld.ca/2003/05/08/exurban-tale-3-somewhere-someone-calls-my-name/">soul song</a>, it tells you that the real you is destined to love, to fall in love, again and again, and whether that love is reciprocated or not does not matter. That is who you are &#8212; you know that. All you can do, when you find someone you are drawn to in that primal way, is make the offer, the invitation &#8212; be clear and honest and authentic about how you feel. Instead of getting discouraged by rejection, learn from it, and try again. If it takes a hundred or a thousand rejections before the ones you choose to love accept that love, and give you what you want in return (perhaps only their presence), then that&#8217;s what you must do. That is what you live for. So live &#8211; fly! &#8211; my poor sorrowful friend. Have the courage of your convictions.&#8221;</p>
<p>&#8220;Here is my first question for you &#8211;&#8221; she continued. &#8220;What is holding you back? <em>Why are you still afraid, or unable, to be authentic</em>, to put yourself out there, to be who you really are, raw, damaged, and extraordinary? What do you have to lose, now?&#8221;</p>
<p>I thought about her question, and as I did so she asked &#8220;What else? Why else are you so sad, so full of grief?&#8221;</p>
<p>&#8220;I want my life and my relationships to be easy, joyful, playful. Natural. But beneath the smiles and laughter, as I get to know people, there is only darkness, sorrow, anger, self-hatred, shame. The relationships I long to be uplifting turn out to be disheartening, burdensome, a chore. So while I want to find like minds, to play, to be close to people, I end up fleeing, disappointed and weighed down, preferring my own company.&#8221;</p>
<p>The chickadee looked at me incredulously, and then sang, slowly: &#8220;You know why this is; you&#8217;ve said it yourself a thousand times. What you perceive in other people is your own imagining, what you want them or expect them to be, <em>not who they really are</em>, since you will never know who they really are. So the darkness, the sorrow, the neediness, the emptiness you perceive in others is simply a reflection of what you are projecting, reflected back at you like in a mirror. And this darkness, this lack of joy and playfulness in you is not something you should be dismayed or dissatisfied with. It is a terrible, terrible world your human kind has created. You are right to be filled with unbearable grief. No one else can &#8216;cure&#8217; those dark feelings by being a &#8216;sink&#8217; of joy and playfulness that will draw out and heal all the grief and pain within you. You must know that <em>you cannot expect others to &#8216;fix&#8217; your sadness</em>.&#8221;</p>
<p>&#8220;So here is my second question for you &#8211;&#8221; she chirped, quietly. &#8220;<em>Why are your expectations of yourself, and of others, so absurdly high, and why are your judgements of yourself, and of others, so bitterly harsh?</em>&#8221;</p>
<p>There was silence for a moment, and it began to rain. &#8220;Go on,&#8221; said the chickadee, &#8220;loneliness, grief&#8230; there is more; what else is causing you sadness?&#8221;</p>
<p>&#8220;I still haven&#8217;t found where I belong,&#8221; I replied. &#8220;I know it&#8217;s someplace natural, someplace warm. But the places I find, as beautiful as they may be, are too cold. They are unaffordable, which means most of the people around are people who have given their souls for money, people I abhor. And these places are unsustainable. They are living on borrowed time, waiting for the bulldozers and chain saws and &#8220;developers&#8221; to desolate them, turn them into everyplace else. Into wastelands. So I am still homeless.&#8221;</p>
<p>&#8220;Still stuck in human clock time,&#8221; replied the chickadee. &#8220;You cannot live in fear of the future, grieving what has not yet happened, regardless of its likelihood. As for finding your place, you cannot expect it to announce itself to you. You must pay attention, listen, hear its call. This place you belong, your home, will require you to become a part of it. You will have to learn about it before you can do that, before you can belong to it. You have lived so long inside your head that living in the real world as part of all-life-on-Earth will not be quick or easy for you &#8212; you have a lot to unlearn. But first you have to open your heart and your senses and your body and your intuition and really be present with all these parts of you, all these non-intellectual, visceral ways of knowing, to find your true home. As long as you are stuck in your head you will never find it.&#8221;</p>
<p>&#8220;That brings me to my third question for you,&#8221; she continued. &#8220;<em>Why, with all the unlimited freedom you have now, is it so hard for you to just let go?</em> To just be. To weep. To free yourself from your stories about the past and future, about what others think of you or might think of you, and about who you should be or what you should do. To walk away from the prison of self-colonization?&#8221;</p>
<p>I sighed. A fog was rolling in.</p>
<p>&#8220;There is yet more behind your sadness, isn&#8217;t there?,&#8221; chirped the chickadee. &#8220;Go on then &#8212; loneliness, grief, homelessness, and&#8230;?&#8221;</p>
<p>&#8220;Directionlessness, I guess,&#8221; I replied. &#8220;I want to discover what I&#8217;m meant to do, and that means I have to find who I&#8217;m meant to collaborate with. I want to find people who share my beliefs, my ideas, my intentions. But all that is so contextual on where you&#8217;ve come from, and my journey of learning and discovery has been so unique, so privileged, so solitary, that whenever I think I&#8217;ve found people who want to do the same things I want to do, and who share my view on how to go about doing them, I discover that either I misunderstood or they did, and that what I want to do and what they want to do are completely different, completely out of sync. I keep thinking that I&#8217;m &#8216;too far ahead&#8217; to find collaborators, but I suspect it&#8217;s not that at all. We all sail alone, and the waters I&#8217;m sailing in aren&#8217;t those of the mainstream culture or any of the alternative cultures out there. I&#8217;m in my own ocean, a culture of one, of my own imagining, and I&#8217;m despairing of ever finding other intelligent life in this empty place I&#8217;ve taken myself.&#8221;</p>
<p>&#8220;Artists are often solitary creatures,&#8221; replied the chickadee. &#8220;Whether you realize it or not, you are already doing what you&#8217;re meant to do. In everything you write and talk about you are, in one way or another, &#8216;re-presenting&#8217; natural life in contrast to life within industrial &#8216;civilized&#8217; culture. You&#8217;ve described yourself as &#8216;vegan, earth-loving, poly, unschooled, nudist, intuitive, anarchist, hedonistic, and a dreamer&#8217; and in these attributes you personify the natural life you re-present in your imaginative and creative writing. This is your gift to the world, what you&#8217;re meant to do. Carry on, because there is much more work that needs to be done here. Most people still can&#8217;t imagine another way to live, and until they do there is no hope for your poor befuddled species.&#8221;</p>
<p>&#8220;As to how to find collaborators, people who share your worldview on what needs to be done, and who would want to work on that with you, perhaps my fourth question to you may help you address that. My fourth question,&#8221; she chirped,&#8221;is this &#8212; if someone were looking to collaborate with <em>you</em>, how would they find you and persuade you to work with them? In other words, <em>Where would you look for you?</em>&#8221;</p>
<p>We just looked at each other for awhile, and finally I nodded and thanked her and asked if there were something I could offer her in return. As she flew away she chirped: &#8220;You&#8217;re already doing it.&#8221;</p>
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		<title>The Desolation of a Continent: Notes From a Road Trip (Part 1 of 2)</title>
		<link>http://howtosavetheworld.ca/2010/04/06/the-desolation-of-a-continent-notes-from-a-road-trip-part-1-of-2/</link>
		<comments>http://howtosavetheworld.ca/2010/04/06/the-desolation-of-a-continent-notes-from-a-road-trip-part-1-of-2/#comments</comments>
		<pubDate>Wed, 07 Apr 2010 03:54:05 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/?p=3200</guid>
		<description><![CDATA[The original plan was to sell my car (&#8217;02 Honda Odyssey minivan) in Toronto, and to live car-free forever after. It turned out that there are so many cars on the market that what I was offered was less than the cost of my last repair. So I decided that, after helping my ex to [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-3203 alignnone" title="RoadTrip1" src="http://howtosavetheworld.ca/images/RoadTrip1.jpg" alt="RoadTrip1" width="650" height="487" /></p>
<p><span style="font-size: medium;">T</span>he original plan was to sell my car (&#8217;02 Honda Odyssey minivan) in Toronto, and to live car-free forever after. It turned out that there are so many cars on the market that what I was offered was less than the cost of my last repair. So I decided that, after helping my ex to pack up her belongings (and throw out the accumulated junk of thirty years of cohabitation), I would load up the few things from the old house in Caledon (Ontario) I wanted, and make one final road trip across the continent to my new home on Bowen Island (part of greater Vancouver BC) &#8212; 5100 km in seven days of driving. One more trip &#8216;for the road&#8217; to see if I could learn something more about (North) America before permanently retiring my car (except for emergencies). Of course, I have kept a journal. Here is the first of two posts on my road trip.</p>
<p>So far (days 1-4) a few things have really stood out for me. The first, as the title of this post suggests, is the awful realization that this vast continent has been systematically pillaged, despoiled, used up, and ruined. North America is not an easy continent to tame. It&#8217;s rugged, sprawling, and compared to most continents inhospitable to humans. It&#8217;s intimidating in its sheer vastness and its ecological extremes &#8212; impassable mountains and forests, savage storms, staggering expanses of prairie, bleak steppe (some of it called &#8216;badlands&#8217;), swamp, brush, tundra and desert, extremes of temperature and humidity, insect hordes so thick and relentless they can drive you insane. It&#8217;s hard not to sympathize with the pioneers who did everything they could to conquer and subdue everything natural on this continent.</p>
<p>But they have now succeeded all too well, and the damage we have done is now accelerating and out of all control. There are substantially no wild places left in the inhabitable parts of the continent. We have clear-cut almost all of the forest that once covered much of the continent, and clear-cut the prairie and steppe as well, planting the former in monoculture grains and allowing grazing animals to consume the latter, so that now we have moved most of the grazing animals to feedlots, crowded together in vast concentration camps of misery, stench and horrific confinement, with nothing natural to eat and no place natural to spend even a tiny part of their ghastly lives. We stupid humans still don&#8217;t realize that animals are not ours, they are not meant to be confined, and they suffer terribly in our heartless corrals and cages. As I drove across this continent I could hear the constant and collective scream of the land and all the life that struggles to live upon it. We have desolated a continent that the pioneers thought could never be tamed, and now we are killing it with increasing energy and skill.</p>
<p>On the bookshelf of one of the B&amp;Bs I stayed at on this trip was a 40-year-old <a href="http://www.amazon.com/America-raped-engineering-mentality-devastation/dp/B0007E0UQI">book</a> called <em>America the Raped: The Engineering Mentality and the Desolation of a Continent</em>. The author spoke about the need to change our mindset about our relationship with nature before we destroyed it all. Forty years later it is too late, and we&#8217;re still pumping out books with the same weary message. <a href="http://howtosavetheworld.ca/2006/05/03/">The place you love is gone</a>. We cannot be other than who we are.</p>
<p><img class="alignnone size-full wp-image-3204" title="RoadTrip2" src="http://howtosavetheworld.ca/images/RoadTrip2.jpg" alt="RoadTrip2" width="650" height="487" /></p>
<p><span style="font-size: x-small;"><em>St Joseph Michigan &#8212; a packed Mexican restaurant</em></span></p>
<p>The second thing that has stood out for me is how well-intentioned, caring and hard-working almost all North Americans are. They are busy coping with the needs of the moment and trying to do their best for those they love, to be good citizens and providers and parents and workers. They have neither the time nor the information and education to know what is really going on in the world, so they believe what they&#8217;re told by those they trust, and they do their best. And they&#8217;re cheerful, and hopeful, to a degree that makes no sense. Ignorant, distracted, bewildered, still full of dreams and unintentionally playing perfectly their role in the brutal destruction of their land and our planet.</p>
<p>And the third thing that has stood out for me is the startling evidence of the disappearance of the middle class, and the unimaginable debt load of the &#8216;average&#8217; North American (i.e. working/unemployed class North Americans, in contrast to those in the shrinking privileged class). I&#8217;ve tried to get everyone I meet to tell me their stories, and these stories just make me shake my head. I drove through two neighbouring communities on the Lake Michigan coast. The first, Benton Harbor, looked as if someone had set off a bomb in a struggling nation: whole blocks leveled or completely boarded up, and the only people I saw on the street were drunks and scavengers through the garbage, which was everywhere. A dock town, it is bankrupt, being run (according to the local radio station) by a receiver for the state and unable to pay back wages owed its civic employees. It is not the only, or largest, town in this predicament.</p>
<p>Yet right beside this town is the town of St Joseph, which is affluent, full of mansions and busy restaurants and resort hotels, with a downtown full of trendy shops and tourist attractions. The two towns sit in apposition, a statement of two economies, two societies, two worlds in one place, each apparently oblivious to the other and what it all means. I saw this juxtaposition everywhere &#8212; the larger cities in each state are clogged with construction projects financed with stimulus money, and (with a few exceptions, like Detroit) look to be thriving, while the small towns and countryside look mostly deserted, abandoned, lost, with excellent businesses dying for lack of customers, roads crumbling and streets empty.</p>
<p>I spoke to people who admitted that they had $40,000 in credit card debt, making minimum payments each month, and paying 28% interest on balances. I spoke to people who admitted they had $200,000 in medical debts that they never expected to be able to pay back. I spoke to people who said the only chance they had to ever pay off their mortgages would be if someone offered them twice their home&#8217;s current value. I spoke to people who have been running successful and respected small enterprises for thirty years, and are still in debt over their heads, and are now, suddenly, thanks to this endless economic crisis, teetering on the edge of bankruptcy. I looked at houses once valued at $200,000 now valued at $30,000. <em>The only people I spoke to who had no debts were those who had no assets. </em>But then I didn&#8217;t speak to anyone in the privileged class.</p>
<p>This is slavery, except that now the slaves either don&#8217;t know it or think it&#8217;s their own fault.</p>
<p><img class="alignnone size-full wp-image-3205" title="RoadTrip3" src="http://howtosavetheworld.ca/images/RoadTrip3.jpg" alt="RoadTrip3" width="650" height="487" /></p>
<p>Beyond these three major observations, here&#8217;s what else I saw (or think I saw &#8212; it&#8217;s sometimes hard to say when you&#8217;re whizzing by so much so fast and when the stories you hear are anecdotal):</p>
<ul>
<li>Canada is living in a real estate bubble that cannot continue. The Canadian and US economies are joined at the hip, and it just doesn&#8217;t make sense that Canadian real estate prices haven&#8217;t fallen significantly, and are now (my guess) close to twice those of comparable houses in comparable places in the US.</li>
<li>It took me 2.5 hours to cross the border. There were no Americans going home, just Canadians going south to shop now that our dollar has again reached parity with the US dollar. And while US services are cheaper than those in Canada, there&#8217;s no evidence that the stuff Canadians go to buy (mostly, apparently, electronic and textile products made in China) are any cheaper. Insanity. This is what &#8216;recreation&#8217; has come to.</li>
<li>While I&#8217;ll admit it&#8217;s not tourist season, there was almost no out-of-state traffic on any of the interstate highways, except for long-haul trucks. When I was younger we used to play a game of crossing off each state and province on a map when we saw a licence plate from that place. This game has become much, much harder. Most of the traffic on the roads, outside of the cities (where the interstates are actively used by cars presumably going to the big box malls), was semis.</li>
<li>I was intrigued at the psychology of speed limits. In areas where the limit was 55mph, traffic drove mostly at 65mph (trucks 60mph). Where the limit was 65mph, traffic drove mostly at 70mph (trucks 65mph). Where the limit was 75mph, traffic drove mostly at 75mph (trucks 70mph), and there were almost no speeders.</li>
<li>I expected to see a lot of anger and hear news of violence and acts of meanness born of frustration at the poor state of the economy, the waste and theft of the bankers and corporatists, and the disconnection between politicians and people. I didn&#8217;t see it. I&#8217;m sure cynical politicians and corporate exploiters are able to effectively stir it up for the mainstream media when it serves their purposes by playing on public ignorance, but for the most part people don&#8217;t seem very cynical, or depressed, or angry. I think they&#8217;re a bit frightened and overwhelmed, but they&#8217;re still hopeful. The meanest things I saw were the road signs telling you what the fine and jail terms were for hitting a road worker with your car. Even the strange billboards for &#8216;entertainment centers&#8217; where you could try shooting a &#8216;real machine gun&#8217; didn&#8217;t seem designed to play off anger, but rather childish curiosity.</li>
<li>It&#8217;s hard not to get overwhelmed and intimidated by the sheer scale of the landscape of North America. Everything is too big, too wide, too far apart. When you&#8217;re driving, even on the interstates, the hazards seem so large that you want to ask everyone for reassurance that it&#8217;s safe. Blizzards, huge tumbleweeds, dust storms, black ice, sleet, whiteouts, rain and fog that comes from nowhere and reduces visibility to zero, rockslides, gale force winds and tornadoes, wild animals darting across the road. The mountains seem so high and daunting that you can&#8217;t imagine you&#8217;ll ever be able to cross them. The prairie and brush areas go on for so long you forget what state you&#8217;re in. The whole landscape seems, well, <em>cruel</em>.</li>
</ul>
<p><img class="alignnone size-full wp-image-3206" title="RoadTrip4" src="http://howtosavetheworld.ca/images/RoadTrip4.jpg" alt="RoadTrip4" width="650" height="487" /></p>
<p>I&#8217;m also learning to ask the locals questions &#8212; what are the best B&amp;Bs, restaurants, routes. We settle for consistency in chain restaurants and hotels when we travel, when we could get much more &#8212; better value, and wonderful stories &#8212; by trusting people in each community to tell us what their best places are.</p>
<p>More in Part Two, probably in a week or so once I&#8217;ve had the chance to digest my thoughts.</p>
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		<title>Veg-nettes</title>
		<link>http://howtosavetheworld.ca/2009/12/09/veg-nettes/</link>
		<comments>http://howtosavetheworld.ca/2009/12/09/veg-nettes/#comments</comments>
		<pubDate>Wed, 09 Dec 2009 19:05:30 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/2009/12/09/veg-nettes/</guid>
		<description><![CDATA[This is a continuation, as the year draws to a close, of a set of short vignettes I wrote as the year began. IV a couple with urgent, anxious looks in their eyes enter a vegan cafe; their basset hound companion lies down in front of the cafe to wait, as if she were accustomed to [...]]]></description>
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<td><small style="font-style: italic;">This is a continuation, as the year draws to a close, of a set of short vignettes I wrote <a href="http://howtosavetheworld.ca/2009/01/12/">as the year began</a></small>.<br />
<img style="width: 588px; height: 396px;" src="/images/rawlicious.jpg" alt="rawlicious" />IV</p>
<p>a couple with urgent, anxious looks in their eyes<br />
enter a vegan <a href="http://www.rawlicious.ca/Rawlicious/Cafe_%26_Menu.html">cafe</a>;<br />
their basset hound companion lies down in front of the cafe<br />
to wait, as if she were accustomed to this routine</p>
<p>the couple brings in a wheeled baby carriage<br />
piled high with old, worn plastic bags full of what i guess to be used clothes</p>
<p>they sit, squeezed together, in one huge overstuffed chair by the door<br />
and kiss, then order, carefully, from the menu;<br />
he pulls out a newspaper with a bunch of ads circled<br />
and they talk about them, pointing in various directions at the street<br />
to show where, relative to the cafe, the addresses in the ads are located</p>
<p>the cafe worker who brings their food knows them<br />
and they chat for a few moments;<br />
he proudly puts his hand on his partner&#8217;s stomach<br />
and she smiles and blushes</p>
<p>he is wearing a pair of sad, threadbare gloves<br />
as he counts out the coins for the bill<br />
reaching twice into his pocket to ensure he has enough</p>
<p>as they leave, the worker congratulates them;<br />
they feed the leftovers to the basset, who eats them enthusiastically<br />
and then the woman takes the newspaper with the circled ads<br />
and walks off in one direction<br />
and the man takes the basset&#8217;s leash<br />
and walks off in the other</p>
<p>V</p>
<p>at a table near the back of the cafe<br />
a young woman sits reading;<br />
she is wearing a cap with cat ears, and a striped jacket with a cat&#8217;s tail,<br />
and a giant black felt hat with a slip marked &#8220;5 1/2&#8243; tucked in the band</p>
<p>at the next table a woman and her young daughter are eating vegan nachos<br />
and the girl laughs and points at the cat-woman<br />
and is shushed by her mother</p>
<p>the cat-woman smiles and winks at the little girl<br />
and then signals her in mime &#8212; a raised finger &#8220;wait&#8221;<br />
and then the finger curls in and wags slowly &#8220;come over here&#8221;<br />
as she pulls an ocarina out of her bag<br />
and begins to play a haunting tune</p>
<p>and the little girl, delighted, begins to dance among the tables</p>
<p>VI</p>
<p>a man with a sad smile comes into the cafe<br />
and sits, alone, at a table for two,<br />
pulling out his laptop, logging in,<br />
tapping the keys slowly, hesitantly</p>
<p>a kris delmhorst <a href="http://www.krisdelmhorst.com/lyrics/damn_love.html">song</a> comes on the cafe&#8217;s music system<br />
and he quietly sings along:</p>
<div style="margin-left: 40px;"><small>after all of these years, look at me here<br />
with a love song stuck in my throat<br />
got the weight of the world on my shoulders, i won&#8217;t let it go</p>
<p>how can i dive right down in the deep blue sea<br />
and still hope to find my way home<br />
when i stumble on my way to the shore,<br />
when all of the airplanes, all of the cars,<br />
and all the miles in the world<br />
are still not enough to quite reach your door</p>
<p>after all of these years, will you look at me here<br />
with this love song stuck in my throat<br />
got the weight of the world and there&#8217;s not too much else i can hold</small></div>
<p>he&#8217;s smiling broadly now, a giant grin from ear to ear<br />
but if you look closely, you can see<br />
his face is streaked with tears</p>
<div style="text-align: right;"><small>Category: <a href="http://howtosavetheworld.ca/creativeWorksTableOfContents/#33">Poetry</a></small></div>
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		<title>2200: A Travelogue</title>
		<link>http://howtosavetheworld.ca/2009/12/06/2200-a-travelogue/</link>
		<comments>http://howtosavetheworld.ca/2009/12/06/2200-a-travelogue/#comments</comments>
		<pubDate>Sun, 06 Dec 2009 13:51:22 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/2009/12/06/2200-a-travelogue/</guid>
		<description><![CDATA[image from the 1992 documentary film &#8220;Baraka&#8221; For over five years I have been working on a novel tentatively called The Only Life We Know. The novel is set in the year 2200, a century or more after the crash of our civilization. It presumes that in 2009 we are at or near &#8220;peak everything&#8221;, [...]]]></description>
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<td align="undefined" valign="undefined"><img style="width: 565px; height: 265px;" alt="baraka" src="/images/baraka.jpg"><br /> <small style="font-style: italic;">image from the 1992 documentary film &#8220;Baraka&#8221;</small></p>
<p> <big><big><big>F</big></big></big>or over five years I have been working on a novel tentatively called <span style="font-style: italic;">The Only Life We Know</span>. The novel is set in the year 2200, a century or more after the crash of our civilization. It presumes that in 2009 we are at or near &#8220;peak everything&#8221;, and that all of the activities that have accelerated up an every-increasing curve since 1800 (or in some cases before) &#8212; consumption of land and natural resources, human population, pollution emissions, and production of more and more stuff, most of which ends up in landfills or worse &#8212; will soon follow a similar sharp drop down the other side of the normal curve, such that in 2200 we will be back to pre-industrial levels, 90% below today&#8217;s. So in my setting in 2200 there are only 500 million people left on the planet, a population that continues to drop gradually. The economy is subsistence and local, since there is no cheap oil to enable significant long-range transportation of goods or people. </p>
<p> But it is the opposite of the popular, violent &#8220;Mad Max&#8221; scenario of post-civilization collapse. A study of history indicates that, unlike inter-civilizational wars, post-civilizational collapses are generally quite peaceful, although they do entail in their early-collapse stages a lot of death (mostly from starvation and disease), suffering and turmoil. Most civilizational collapses (read Jared Diamond or Ronald Wright) have been mass exoduses, as people flee fragile, unsustainable centralized locations in search of land, food and water to make a new, community-based beginning. They are, on a mass scale, a &#8220;walking away&#8221; from complicated systems that simply no longer work.</p>
<p> My novel presumes that, as a decreasing number of humans fan out into the countryside, they find much of it degraded, but (especially in more Northern areas) they discover plentiful unused land suitable for small collaborative settlements, with solar power and permaculture&nbsp;providing a new sustainable way of life (I am hoping these recently-rediscovered technologies will not be lost along with&nbsp;our civilization&#8217;s soon-to-be useless oil-dependent technologies). </p>
<p> And, as the buffers between communities get larger (with diminishing population) and transportation and other social interaction between communities become rarer, I sense that what will happen by 2200 is what we discover in most isolated gatherer-hunter societies: A staggering degree of cultural diversity, with a de-homogenization of language, adornment and behaviour, to the point that adjacent communities may be so different as to be nearly unrecognizable to each other. </p>
<p> The principal driver for this will be de-urbanization, a hollowing out and abandonment of cities (also very common in civilizational collapses), since cities are inherently dependent on outside resources and hence are inherently unsustainable. We won&#8217;t go back to the Wild West or slavery or feudalism, though; instead we&#8217;ll go forward to a world that combines ancient indigenous wisdom with today&#8217;s and tomorrow&#8217;s (to the extent they can be tweaked to be sustainable) innovations &#8212; gliders, hot-air balloons, grafting of plants, straw-bale construction, human- and solar-powered looms, cameras, recordings, and other creative, artistic and scientific devices.</p>
<p> The original plan was to bring this out in a series of short stories within the novel, each about one such culture, narrated by a young&nbsp;nomad travelling between them, and interspersed with a gradually-revealed story about the civilizational collapse that preceded this new beginning. I envision a proliferation of new local languages by 2200, completely different forms of art, wildly divergent spiritual beliefs etc., in each community, and I had intended to present these in the novel through conversations between the travelling nomad and the citizens of each community, and her observations and reflections about these communities.</p>
<p> But I recently started thinking about another way to do this, that would get around the challenges of trying to depict such completely alien cultures and languages using written text in our very limited and culturally constrained 21st century languages. What if, instead of presenting this future in a novel, I presented it in a film? And what if, instead of writing a screenplay with dialogue that has the same problems of language as a novel, the screenplay had no words? What if, in other words, it were presented as a kind of two-centuries-later update of the cultural documentary <a href="http://barakathefilm.com/index-flash.html">Baraka</a> (a Sufi word meaning &#8220;the weaving of life together&#8221;)?</p>
<p> For those not familiar with this film, or with the films that inspired it &#8212; <a href="http://www.spiritofbaraka.com/koyaanisqatsi">Koyaanisqatsi</a> (Life Out of Balance) and Powaqqatsi<span style="font-style: italic;"> </span>(Life in Transformation) &#8212; Baraka is a set of twenty sequential visual vignettes, of about five minutes duration each, set in places around the world, depicting different aspects of the human condition. It has no plot, no actors, no script (in the conventional sense) and no dialogue.</p>
<p> The picture above from this film is of a girl from the Kayapo tribe in the Brasilian rainforest. It could easily, I think, also be in my film set in the year 2200. </p>
<p> I have been working with a cinematographer friend, Danielle Seville, to scope out how we could make this film. What I envision is starting with a set of premises about life in 2200 &#8212; mainly, that it would be peaceful, joyful, sustainable, and diverse, a world where (like humans did before the invention of tools and technologies) we scavenge much of what we need &#8212; except that in 2200, we will scavenge largely from the abandoned relics of the &#8220;civilized&#8221; world. It will be a world of sufficiency but also one of great comfort and spiritual rediscovery, as we will have re-learned how to live in the natural world, in concert and in balance with the rest of life on Earth.</p>
<p> <img style="width: 450px; height: 237px;" alt="afterculture" src="/images/afterculture.jpg"><br /> <small style="font-style: italic;">image of post-civilization world from <a href="http://www.michaelgreenarts.com/theafterculture.html">afterculture</a></small></p>
<p> To try to imagine such a diverse future world is, I think, beyond the capacity of any one person (I&#8217;ve certainly tried, as hundreds of pages of discarded text from my novel attest). So instead, what I intend to do is to bring together a group of very imaginative people in a Creation Event and have us work collaboratively to develop the imagery, future cultures, music and sound the film would capture.&nbsp;I envision having artists and anthropologists and students of indigenous cultures past and present among the collaborators. I can see us sketching out and improvisationally acting out the scenes in real time, wordlessly, in Open Space. We&#8217;d have make-up artists and henna artists and tattoo artists and body-painters and animators and photoshoppers developing models of what we would look like and how we&#8217;d behave, using the participants as their canvasses. The Creation Event would itself be filmed.</p>
<p> And then it would be my job, working with Danielle and her team, to craft a screenplay with &#8220;scenes from the future&#8221; that captures all of these ideas, and then to assemble a team of improvisors (not actors, really) to wordlessly act out these brief scenes.</p>
<p> Part of the challenge will be to capture the reconnection of the human species with all-life-on-Earth, with scenes (like the image above from Baraka) that position us in the context of a rediscovered natural world, one that envelopes and welcomes and towers over us (rather than one we try to control), and offers us food, shelter, water, meaning, love &#8212; everything we ever needed. Much of the film, then, will not portray humans at all, but rather the natural places where we will then live, and the creatures we will share those places with, in sacred balance.</p>
<p> That&#8217;s the idea so far, anyway.</p>
<div style="text-align: right;"><small>Category: <a href="http://howtosavetheworld.ca/creativeWorksTableOfContents/#38">Creative Works</a> </small></div>
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		<title>here be my place presently</title>
		<link>http://howtosavetheworld.ca/2009/11/27/here-be-my-place-presently/</link>
		<comments>http://howtosavetheworld.ca/2009/11/27/here-be-my-place-presently/#comments</comments>
		<pubDate>Tue, 30 Nov 1999 05:00:00 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

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		<description><![CDATA[here be my place presently the chemistry of love consumes my heart and fills my days with dopamine, testosterone and oxytocin haze. i lose myself, time stops, and as the world is born anew the only truth i know is that my place is here, with you. but then, as i get overwhelmed, my sense [...]]]></description>
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<td style="background-color: rgb(246, 255, 229);"><span style="font-weight: bold;">here be my place presently</span></p>
<p> the chemistry of love consumes my heart and fills my days<br /> with dopamine, testosterone and oxytocin haze.<br /> i lose myself, time stops, and as the world is born anew<br /> the only truth i know is that <span style="font-style: italic;">my place is here, with you</span>.</p>
<p> but then, as i get overwhelmed, my sense of self returns:<br /> the peace and joy of solitude, and personal concerns<br /> come back to fore, sweet company of me, my private zone,<br /> and only then i realize <span style="font-style: italic;">my place is off, alone</span>.</p>
<p> and then the restlessness returns for social interplay,<br /> the urging to collaborate, exchange, converse, convey:<br /> both virtual and physical, to show, to learn, to be<br /> in that collective paradise, <span style="font-style: italic;">my place, community</span>.</p>
<p> until that urban crowding closes in, oppressively<br /> and all that i can think of&#8217;s getting out and being free,<br /> away from noise, machines, and anything that causes stress<br /> and then i know that, naturally, <span style="font-style: italic;">my place is wilderness</span>.</p>
<p> in love in solitude in company in wilderland:<br /> to reconcile these places, first i had to understand<br /> there is this place, this &#8220;sweet spot&#8221;, where the four converge as one<br /> and that is where my life-long search for <span style="font-style: italic;">home</span> at last is done:</p>
<p> this place is anywhere, a place that i create, in space<br /> and in or out of time, an intersection, land of grace</p>
<p> and i invite you, welcome, here to this, my humble place.</td>
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<p> 
<div style="text-align: right;"><small>Category: <a href="http://howtosavetheworld.ca/creativeWorksTableOfContents/#33">Creative Works</a></small></div>
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		<title>Dave Talks With Themselves</title>
		<link>http://howtosavetheworld.ca/2009/10/25/dave-talks-with-themselves/</link>
		<comments>http://howtosavetheworld.ca/2009/10/25/dave-talks-with-themselves/#comments</comments>
		<pubDate>Tue, 30 Nov 1999 05:00:00 +0000</pubDate>
		<dc:creator>Dave Pollard</dc:creator>
				<category><![CDATA[Creative Works]]></category>

		<guid isPermaLink="false">http://howtosavetheworld.ca/2009/10/25/dave-talks-with-themselves/</guid>
		<description><![CDATA[Pssst! Hey, you! Mind Figment Processor That Believes Itself To Be &#8216;Dave&#8217; (M-BID)!* It&#8217;s us, the Complicity of Dave&#8217;s Organs (CODO). You know, the &#8216;real&#8217; Dave you have deluded yourself into believing&#160;&#8217;you&#8217; somehow embody. Why are you sitting around making our fingers write blog articles when you should be contacting that woman &#8216;Kira&#8217; who you [...]]]></description>
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<p> <big><big><big>P</big></big></big>ssst! Hey, you! Mind Figment Processor That Believes Itself To Be &#8216;Dave&#8217; (M-BID)!* It&#8217;s us, the Complicity of Dave&#8217;s Organs (CODO). You know, the &#8216;real&#8217; Dave you have deluded yourself into believing&nbsp;&#8217;you&#8217; somehow embody. </p>
<p> Why are you sitting around making our fingers write blog articles when you should be contacting that woman &#8216;Kira&#8217; who you met at that party a couple of weeks ago? We&#8217;re not getting any younger you know. The chemistry was wonderful &#8212; pheromones sparking, pupils dilating, facial flushes, sweat glands pulsing &#8212; no question that the Complicity of Kira&#8217;s Organs (COKO) and us were vibrating at the same universal frequency. </p>
<p> Don&#8217;t be put off by the fact the Mind Figment Processor That Believes Itself To Be &#8216;Kira&#8217; (M-BIK) hasn&#8217;t replied to your last e-mail. M-BIK is kinda slow like you; it hasn&#8217;t really figured out that what it should be doing is merging CODO and COKO repeatedly and addictively in order to replicate our DNA.</p>
<p> What is holding you back? You know you want to. We&#8217;ve been pumping out testosterone, phenylethylamine, dopamine and norepinephrine ever since we met them. You think COKO are aesthetically beautiful, and you are somewhat infatuated with M-BIK intellectually (OK, OK, we know you have some doubts about some of the ideas that it has espoused, but give it a break, it&#8217;s still young). </p>
<p> So adding that to the erotic and emotional connection, which <span style="font-style: italic;">we&#8217;re</span> looking after, we&#8217;ve got a royal flush here. And don&#8217;t doubt for a second that it&#8217;s reciprocal. You saw the way they looked at us. And M-BIK&#8217;s initial messages to you were gushing, if a bit slow in coming. Yeah, we know, we&#8217;re impatient &#8212; if we had our way we&#8217;d have just got down on the floor and started as soon as we and they met. And we&#8217;d now be one, completely addicted (oh, OK, call it what you want then, &#8216;in love&#8217;), merged, and mingling bodily fluids several times a day like jackrabbits (those COJOs have it so easy)!</p>
<p> So what&#8217;s up, M-BID? Why aren&#8217;t you calling M-BIK?</p>
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<td><span style="font-style: italic;">[M-BID replies]</span> Well, for a start, CODO, we&#8217;re too old for them. They should be &#8216;merging bodily fluids&#8217; with those their own age. You may not be able to appreciate how offensive the idea of COOs of very different ages falling in love and/or having sex is, but we M-BO&#8217;s have a thing about that. </p>
<p> And before I get started, I&#8217;d like to understand why, to communicate with you or talk about any person, I am forced to use the plural. If you&#8217;re indeed <span style="font-style: italic;">a</span> complicity, that&#8217;s <span style="font-style: italic;">singular</span>. Talking about yourself (I&#8217;m sorry, <span style="font-style: italic;">yourselves</span>) in the plural is just pretentious. And what&#8217;s with this &#8220;<span style="font-style: italic;">Believes Itself To Be</span> Dave&#8221; crap? What makes your claim to be &#8216;me&#8217; (sorry, <span style="font-style: italic;">us</span>) any more rational than mine? Just because Stewart and Cohen say so?</p>
<p> But the real reason I&#8217;m not calling M-BIK is that I&#8217;m not sure what our relationship will turn out to be, if we have any relationship at all. It may not be love. It may not even be friendship. I just don&#8217;t know her (sorry, <span style="font-style: italic;">it</span>) well enough to know yet. Social relationships, unlike chemical attraction, are complex, subtle. They take time, they need to be sussed out, explored, given space. It takes years to even think you know some-body, and your intellectual, aesthetic, sensual and emotional connectedness can change over time.</td>
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<p> <span style="font-style: italic;">[CODO responds]</span> Hmmm&#8230; well, the reason we speak of people as plural is because we <span style="font-style: italic;">are</span>. We could do an organ-count if you like. The brain that you muddle-headedly believe &#8216;you&#8217; reside in is just one of <span style="font-style: italic;">us</span>, and a slow-witted (thank gaia for instincts!) and unsophisticated (compared to our digestive system the brain is a dope) one at that. We <span style="font-style: italic;">are</span>. You just <span style="font-style: italic;">think</span> you are.</p>
<p> As for whether we&#8217;re too old to merge bodily fluids with COKO, get us close and we&#8217;ll see. We&#8217;ve had a few million years to learn how to get past your &#8216;things&#8217;. We know, and so do COKO. You just <span style="font-style: italic;">think</span> you know. It&#8217;s possible the social conditioning that you and M-BIK have been subjected to will prevail when we get together. But we wouldn&#8217;t bet on it.</p>
<p> And we have no qualms about letting you have time and space to discover whether you and M-BIK can develop the kind of intellectual, aesthetic, sensual and emotional connectedness that you call &#8216;love&#8217;, and if so whether it will endure. We just want to mix our DNA with COKOs&#8217; now, and, if we get the chance to do that enough times, we&#8217;ll generate enough oxytocin and endorphins in our bodies to keep us all together long enough to give that connectedness a real chance. And if it turns out the connectedness you think you need isn&#8217;t there, or won&#8217;t last, well, we&#8217;ll all have had a lot of delicious, intoxicating <span style="font-style: italic;">fun</span> in the meantime. </p>
<p> So what do you say? Stop telling our fingers to type more of this conversation, and start telling them to type out COKO&#8217;s e-mail address or phone number. What do you th&#8230;</p>
<p> &#8212;&#8212;&#8211;</p>
<p> <small>* For those who haven&#8217;t read Stewart and Cohen&#8217;s <a href="http://howtosavetheworld.ca/2005/12/30/"><span style="font-style: italic;">Figments of Reality</span></a>, here&#8217;s its thesis, which is essential to understanding (and hopefully appreciating) this story:</p>
<p> </small>
<div style="margin-left: 40px;"><small>Living species, including humans, are emergent properties of the body&#8217;s semi-autonomous processes &#8212; We are a <span style="font-style: italic;">complicity</span> of the separately-evolved creatures in our bodies organized for <span style="font-style: italic;">their</span> mutual benefit (i.e. we are an &#8216;organism&#8217;). And&nbsp;our brains, our intelligence, awareness, consciousness and free-will, are nothing more than an evolved, shared, feature-detection system jointly developed to advise these creatures&#8217; actions for <span style="font-style: italic;">their</span> mutual benefit. Our brains, and our minds (the processes that our neurons, senses and motility organs carry out collectively) are <span style="font-style: italic;">their</span> information-processing system, not &#8216;ours&#8217;.&nbsp;</small></div>
<p> <small><br /> &nbsp; &nbsp;So this story is about Dave&#8217;s body &#8212; the complicity of Dave&#8217;s organs (CODO),&nbsp; speaking to his mind &#8212; Mind Figment Processor That Believes Itself To Be &#8216;Dave&#8217; (M-BID).</small></p>
<p> &#8212;&#8212;-</p>
<div style="text-align: right;"><small>Category: <a href="http://howtosavetheworld.ca/creativeWorksTableOfContents/#34">Satire</a></small></div>
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