Conversation and Silence, Part Two

This is the second part of a two-part post; part one is here.

(photo of Killarney Lake by fellow Bowen Islander Jason Wilde)

If I stay here long enough
I will learn the art of silence.
When I have given up words
I will become what I have to say.

— Richard Shelton, Desert

Conversation, in the rare cases when it brings to the table the attributes I described in the first part of this article, can at least succeed at surfacing insights, helping us see different perspectives, attaining consensus on decisions, and helping to resolve conflicts. But when the necessary attributes for effective conversation are not present, or when the objective of talking is not one of these four purposes, I would argue that talking is pretty much a waste of time, and silence would be a better prescription.

But how, you might ask, can anyone advocate for silence when it is so often the handmaiden of abuse, oppression, patriarchy, enslavement, corpocracy, and desolation?

When these atrocities happen we must of course give voice to calling them out, stopping them, and condemning them. Although silence is not their cause, it is complicit in their continuation. Inequality of wealth and power, patriarchy, stress-induced psychopathy, and our obsession with ‘privacy’ and secrecy allow outrages to be perpetrated, shielded from our awareness, and covered up. These are the fall-out of our collapsing, exhausted, well-intentioned civilization, and I don’t believe we can ‘fix’ them until this terrible, unsustainable civilization has breathed its last — which won’t be long now.

Calling them out, naming them for what they are, and refusing to condone them, however, is done through exposition, not conversation. There is no decision, no consensus needed to make it clear that these outrages are not acceptable and must stop. Exposition — the stories of those who have suffered, the calling to account, the understanding of what has allowed this to occur and how to prevent its recurrence — these are not matters for deliberation, but for obvious action. In this, we may not always succeed, but we can never remain silent.

But only a tiny proportion of the massive firehose of talk that pervades our dying culture has anything to do with calling to account, or with real conversation as I defined it in part one of this article. Almost all of it, I’m coming to believe, is just noise, the wail of a species endlessly lamenting its unhappiness and its incapacity. What purpose does any of it serve? It fails to make us feel better, or even feel heard. It fails to bring about any real change, only hopelessness and helplessness and useless rage. It fails to inform, only to inflame, to deceive, to excuse.

I am lying on the beach, basking in the warmth, listening to the ocean, watching the birds, feeling the breeze, smelling the earth after a brief rain. Here, now, is a moment without the need for thought, for reactive emotions, for seeming actions. It is a time for love, for sensation, for joy, for paying attention, for play, for just being. Of course I could be doing something more ‘productive’, more directed at making something better. But I am no longer sure I believe that productivity and striving to make things better actually accomplishes anything, or at least nothing that lasts for long. Change happens when the generations attached to old ways of doing things die, and new generations, with somewhat different conditioning, take their place.

I listen to the supposed conversations of the other beach-goers. The conversations are vapid, meaningless, banal, unnecessary. They are about consumer decisions, unactionable news (political, economic, sports, weather), what someone supposedly did or said or should do or should have done or wants to do. They seek (with quiet or not-so-quiet desperation) reassurance, appreciation, attention, relief from the gnawing sense that something is not quite right, that they are somehow not quite right, not enough, missing something, all alone, owed something, needing something.

They — and all of us — are striving to heal ourselves from civilization disease. But words aren’t the path to healing; they just take us further inside our heads, inside ourselves where the disease lives. We find true healing in love, in laughter, in eating well, in exercise — and in silence, in paying attention without judgement, without evaluating, without expectation, without trying to ‘make sense’. Without thought, and its noisy partner, language, rehashing and second-guessing and re-living and lamenting a fictional past and dreading a fictional future. When it comes to our selves’ endless and incurable bent for suffering, words don’t help.

I don’t buy the hackneyed CBT/mindfulness/12-step orthodoxy that claims that by changing our thinking we can change ourselves, ‘re-program’ ourselves. There is no credible evidence that these acts of wishful thinking work. Wild creatures don’t need language to heal from their disturbing experiences, their tragic lives. Their therapy is wordless, silent, and it actually works.

I smile at those sitting or walking on the beach who have the good sense to just be silent, to just take in the mystery and wonder of everything just as it is. To notice, to pay attention, to stop thinking and reacting and judging and just open themselves to perceiving, sensing, being a part of all that is. And admittedly it is easier here on a quiet tropical beach with the surf pounding in than amidst the terrible knowledge of cities.

I smile at them. I salute them. If only for a moment they are, like me, beginning to begin to learn the humbling art of silence.

Of course silence is terrifying to those who have not learned the comfort and joy it offers. So many people have to fill the emptiness and pain inside with noise, with distraction, with entertainment, with anything that will help them even for a little while avoid the terrible feelings of hopelessness, of shame, of emptiness, of grief, of helpless rage, of terror and dread and regret that otherwise consume their waking hours. Silence is not for everyone, at least not until they have come to grips with the incurability of civilization disease.

And this is not to say there is no place for prose in our world. While it is should not presume to be conversation, thoughtful and well-crafted and non-manipulative writing, music, stories, poetry, films and videos, and other expository compositions (even blog articles) can, unlike twitter or facebook or texting or telephone blather, move us. Rather than taking us deeper into our heads and triggering our reactive emotions, such compositions can take us outside the suffocating default pathways of the brain and to other places, other ways of being.

So give me that rare creature, an excellent, purposeful conversation, or give me a composition that transports me, delights, fills me with possibility, or scream out your truth that shines a light on a terrible and outrageous reality. But if you have something else to say, fellow humans, please, for everyone’s benefit, just STFU, and give yourself, and all of us, the gift of silence.

Posted in Our Culture / Ourselves | 2 Comments

Conversation and Silence, Part One

This is the first part of a two-part article.
mindful wandering
photo by Maren Yumi on flickr CC BY-NC-SA 2.0

It’s been a few years since I last wrote about conversation. I don’t see nearly the value in conversation that I used to. I still talk too much, and seemingly converse a lot, still mostly about subjects that are unactionable and don’t really matter. Old habit I suppose; this is long-conditioned behaviour. Language ties up the brain in comprehension and conception when the brain could be used, silently, for perception, for sensing and intuition and letting things come, and for demonstration and attention, which, even before embracing radical non-duality, I’d come to believe are much better uses of our bewildered brains.

I have come to distinguish real conversation (which etymologically means “turning with”, almost like dance, and which is a collaborative, interactive, iterative activity), from non-collaborative, one-way forms of talking including performance (relating something), instruction, and inquiry (Q&A), whose purpose is to tell a story, entertain, or give or get clarity, and which has a clear “audience”. These might be serial, with one person at a time spouting forth, but they are not really conversations. And if the back-and-forth results from a need for clarity due to inarticulate or lazy exposition, or a craving for reassurance, that’s not really conversation either.

So why should we ever need to converse? If not to relate information, tell a story, get clarity (ie learn), reassure, show affection, or entertain, what purpose does real, collaborative, interactive, iterative conversation serve?

I think real conversation can serve four purposes: to surface insights, to see different perspectives, to achieve consensus on decisions, and to resolve conflicts. These purposes are related: Seeing different perspectives and surfacing insights can help resolve conflicts and achieve consensus. They are about using a deliberative process to move beyond the fixed thoughts and ideas in our own heads and to appreciate others’ ways of thinking and seeing, with the goal of achieving agreement and cohesion with others we live and work with.

Here are the most important prerequisites, in my experience, for an effective conversation to achieve one or more of the above purposes:

  1. Capacity to be open to other and difficult ideas and perspectives: There is no point trying to collaborate with someone who is either incapable of considering or unwilling to consider different possibilities. If someone is totally set in their beliefs, or utterly lacking in imagination, conversation is futile.
  2. A basic level of capacity to articulate, and of social fluency: Articulation is the ability to convey one’s thoughts, ideas, beliefs and perspectives clearly. Social fluency is the emotional engagement and sensitivity to appreciate (and show appreciation for) others’ thoughts, ideas, beliefs and perspectives and see how and why they might be different from one’s own.
  3. Critical thinking skills: The capacity to draw inferences, challenge assumptions, weigh evidence, and synthesize information is essential to the development of a rational and thoughtful worldview and belief system. If you, or those you are conversing with, lack these skills, you can’t possibly hope to reason with them.
  4. Curiosity and creative/imaginative skills: Some people, for various reasons, are just shut down and unwilling to consider anything that doesn’t jibe with their ideology or belief set; others, through lack of practice, have lost the capacity to imagine anything that isn’t simple and obvious, or to put themselves in another’s shoes. Conversations with such people are likely to be just frustrating and pointless.
  5. Attention skills: We live in a world of attention deficit, distraction and information overload. In such a world, listening and paying attention are challenging and take practice. If those you’re conversing with don’t have and use these skills, they won’t hear you, so you’re wasting your breath.

You’ve probably noticed that these five prerequisites to effective conversation are all capacities; the people in the supposed conversation either have them or they don’t.

What I’ve discovered of late is that in most of the discussions I have (a) people don’t have one or more of the four purposes (to surface insights, to see different perspectives, to achieve consensus on decisions, and to resolve conflicts) for which conversations are well-suited; and (b) few of the participants have the five prerequisite skills for effective conversation.

Small wonder, then, that I find most attempts at real conversation fail. In the rare cases that true conversation occurs (often with the help of a skilled facilitator, who might also be one of the participants) the result can be magic.

Alas, as the world becomes more stressful, less attentive, more polarized and less socially fluent, such conversations seem to be increasingly rare.

Perhaps that is why some of us have been shying away from social discourse and spending more of our time in silence. I’ll explore that more in Part Two of this article.

Thanks to John Kellden and Michael Dowd for inspiring this post

Posted in Our Culture / Ourselves | 1 Comment

The Death of Truth: A World Where Lying Pays

The character that is not me lies in the sun on the warm tropical beach, listening to the roar of the surf. It has no choice in this — it is conditioned to prefer warmth and sun and surf over cold and wet and concrete, no matter how masterfully constructed and adorned the latter may be.

‘I’ of course presume these to be my choices and my preferences. ‘I’ have recently returned from a trip to console a loved one dealing with grief. There was no choice in this trip either, though it seems there was to ‘me’. It seems to be in the conditioned nature of this character (a character that is only an appearance, but nevertheless is ‘real’ in the sense that the illusory ‘I’ can never be) to want to help those I love. That seems to be a preference of human characters in general, which I suppose has helped the species survive and evolve. Humans seem inherently preconditioned to care for each other and for the place they live and its resident creatures (biophilia), and to act altruistically. Seems a sensible evolutionary trait.

Another quality that seems inherent in human characters is honesty. It makes sense for the members of a tribe to be straight with each other, and with themselves, rather than deceptive. Honesty with tribe-mates leads to trust, and vice versa, and without trust the tribe cannot thrive. Likewise, it seems to be human conditioning to distrust outsiders who might, until it is proven otherwise, threaten the peace and equilibrium of the tribe.

But the world in which almost all human characters now live is decidedly non-tribal and decidedly untrusting, and that situation is getting much worse very quickly. There is no point rehashing how humans got to this point, but the current apparent reality is that lying pays. In our modern global human culture there are huge rewards for dishonesty. You can get away with cheating, murder, theft (on a grand scale), desolating the planet, and the accumulation of massive and dangerous levels of wealth and power, as long as you know how to lie effectively and consistently (including to yourself).

And now, as ‘I’ sit on the beach staring at the horizon, I worry about what seems to be the death of truth. Leaders — corporate, political and other — lie blatantly, and deny that they are doing so. As the intermediaries (media etc) through which we now get almost all our information become further removed from direct experience and personal iterative conversation, they also become more suspect, and liars are doing their best to make every information source suspect so that they have cover (plausible deniability) for their lies. It is now possible to create a video that ‘proves’ anyone said or did anything, with careful photoshopping, digital manipulation, CGI, and editing things out of context. And we believe what we want to believe (as evidenced by the recent surge in conspiracy theories, cults and nutbar gurus). We are terribly gullible when it comes to accepting as true what we wish to be true. And we want things to be simple and straightforward, when nothing is.

As I watch the waves I think about the savage and ludicrous Rwandan civil genocide, and about the improbable ‘success’ of Hitler, Mao, Stalin, Cheney, Trump and other pathological liars and hate-mongers who have ‘persuaded‘ people to believe, and to do, monstrous, insane things. I think about the zealous apologists for, and deniers of, the accelerating ruination of our planet’s biodiversity, health, soils, water, air, the destabilization of our climate, and the massive suffering our unsustainable and inequitable industrial growth economy inflicts on almost all the planet’s inhabitants.

And I wonder if any of these things would have been possible without the emergence of our sense of being separate selves with self-control and choice and responsibility, and all the anxiety and fear and anger and sadness and desperation and disconnection, so easily exploited by tyrants and liars, that this illusory sense of separation provokes and sustains.

Of course, I know that since selves do not really exist, they cannot have changed or caused anything. But our brains are constantly looking for patterns and connections, and reasons, when there are none. There is no meaning or purpose to anything, no reason ‘why’, no causality, and no time in which things change or evolve, although we want and believe there to be. So the seeming recent perfection of the processes and technologies of lying are just what has apparently happened, for no reason. They may seem to lead to massive wars, global and civil. They may seem to lead to the end of large-scale human civilization, and to the sixth great extinction of life on earth. But it is all just what is apparently happening, outside of space and time, without direction, agency or import.

That’s a message that the self-afflicted individual cannot possibly accept. It is too dark, too hopeless, too out-of-control. Too outrageous a truth. We can’t just shrug and accept it. It has to be another lie, a self-deception to make us feel better about our apparent failure to make the world a better place.

But it is the truth, even in this terrible world in which the truth seems dead, and in which lying pays so handsomely.

I sit on the beach, watching the occasional beach-wanderer trudge by, watching the sun set and the moon rise. Full moon tonight, and clear skies. The warm breeze carries the fragrance of plumeria and jasmine. The mynas natter to each other. The feral beach cats, neutered early in their lives and released into the wild, await the kindly volunteers who bring them food twice daily. I will return to the water’s edge after nightfall. I will shrug, and sigh, still lost and scared, but each day, a little more accepting. This is what is apparently happening. This is all there is.

 

Posted in Our Culture / Ourselves | 4 Comments

The Language of our Eyes


image from pixabay CC0

I’ve written about body language before. It’s fascinating to study the unspoken messages we send with our eyes, our faces, our tone of voice, our hands, and our whole bodies. But it can be dangerous (and not only to poker players): these messages vary enormously by individual, and between genders and cultures, and it’s not uncommon for people to send ‘fake tells’ — false messages to fool us — sometimes quite unconsciously.

Since writing my short story The Fortune Teller I’ve actually tried practicing making eye contact, as well as honing my listening and attention skills, and smiling more. And while everyone seems to appreciate getting authentic attention, eye contact seems, well, vastly more complex.

To start, obviously, more eye contact is not necessarily better. Staring and leering are rarely appreciated, and some people are just uncomfortable with eye contact, period. So I did some online research on how supposedly to make eye contact well, and discovered that, basically, there are no hard and fast rules, and the ‘research’ seems mostly sketchy, anecdotal, or sheer guesswork.

The following list draws on about 40 articles, few of which cite significant scientific support for their claims (and what research has been done seems mostly of dubious quality). So it may well be wrong. But there seems so little credible guidance on the subject that I thought anything would be worse than just reckless and discomfiting trial and error. So here’s what I’ve ‘learned’:

  • How long: Holding eye contact is a dominance display. But so is deliberately looking away first. Staring, in any culture, is just rude. Rule of thumb seems to be 3-5 seconds (about long enough to mentally note their eye colour). After that, rather than looking away, show attention by briefly looking down or off to one side and then immediately return to their eyes. It’s about gazing, which is very different from staring. Etymologically, gaze means give attention, while stare means stiffen. There’s a very subtle point at about the 5 second mark when an extended gaze may signal affection, reverence, or romantic interest, but even a second or two beyond that is into staring territory. And very short eye contact can come across as brusque or indifferent.
  • During conversation: One rule of thumb is to make eye contact 50% of the time when you’re talking and 70% when you’re listening. Seems a bit of a generalization, but try it and draw your own conclusions. I have noticed that breaking eye contact (suddenly, or for a prolonged period), or failing to provide enough eye contact, is a conversation stopper.
  • Smile: A genuine smile is a great complement (and compliment) to eye contact. But be aware people are usually pretty good at intuitively recognizing whether a smile is authentic (and not fawning or ogling or indifferent). And while a warm gaze combined with a warm smile is very engaging, receiving them together from someone else doesn’t necessarily signify anything more than politeness. Though it might.
  • Staring: If someone keeps staring at you, a way to discourage them is to stare back between and just above their eyes, as if you’re looking right through them. Or just look away if you can do so deliberately rather than reactively — people can tell which is which. And if you can’t keep your eyes off some part of a person’s body you’re interacting with, don’t think for a minute they won’t notice, at least subconsciously. Depending on what it is that’s mesmerizing you, if it’s appropriate mention it, and if it isn’t, look elsewhere.
  • Affection vs attention: Quick repeated glances, sideways glances, eyelids moving up and down, extended looks at the lips and mouth, and dilated pupils may (I repeat may) indicate affection or romantic interest or represent flirting (and may be taken as such if you instigate them, even unconsciously).
  • Gazing into space: I’m one of those people who listen and think best when undistracted, so I tend to gaze into space (slightly above and beyond who I’m listening to) when I’m concentrating on what’t being said. That can easily be misinterpreted as inattention or disinterest.
  • Body Position: It’s hard to make eye contact if you’re sitting beside someone else on a bench or sofa or long table. That’s why apparently dominants sit at the end of meeting tables, and submissives along the long sides. Maybe that’s one reason why ‘circle’ arrangements are so effective.
  • Blinking: Rapid blinking may be taken as dishonesty, discomfort or evasiveness. Hardly blinking at all may come across as staring, even if the rest of your face is relaxed.
  • Equitable eye contact: Giving most of your eye contact, just like giving most of your attention in any other way, to one person in a group or room, can come across as disrespectful, selfish, unfair, or distracted, to everyone else. (Then again, they might not care about you either.)
  • Other body language: Be alert for what you (and others) are conveying with your eyebrows, hands, mouth, posture, voice tone and other body language when you are looking at someone (see earlier body language article linked above). Just because people are focused on your eyes and face doesn’t mean they won’t pick up on other signals, especially if they are conflicting messages.
  • Eye movement: It’s much harder to interpret what the eyes (and the rest of the body) are saying in a still photo — movement is critical to our understanding; it tells a story, one that our intuition can ‘hear’ much better than our thinking brains. And coordinated movements (hand or body movements while you are just beginning to make eye contact, or while you sustain lingering eye contact) are supposedly major attention-getters.
  • Lie-detection: One study suggests holding someone’s gaze while asking them a simple question will get a more honest answer, and doing so while making a request may get a more positive answer (unless they look away, which could also be a ‘tell’). I confess I’m skeptical.

A great practice is to look in the mirror and then imagine you’re trying to convey, or react to, each of the circumstances above. (You can also look at video taken of you speaking with/to others.) You may be quite surprised to find that your eyes are sending a different message from what you intended. Or that your smile doesn’t convey the warmth and honesty you think it does.

Bottom line is that almost no one is highly competent or well practiced at either sending or appreciating the signals our eyes and bodies convey in this ‘language older than words’. But it’s a language worth (re-)learning, don’t you think?

Posted in Our Culture / Ourselves | 1 Comment

The Technologies I’ll Miss

photo from the good folks at pixabay

As our civilization slowly falls apart over the coming decades, there are some technologies I will miss a lot more than others. Some of these are obvious — it’s now hard to imagine living without the Internet, running water, electric power, some life-saving drugs, and some almost indispensable appliances (fridge, laundry etc). With few possible exceptions, we’re going to have to learn to live without them all, since global economic collapse, the commensurate end of abundant, cheap, low-tech energy, and the massive migration that climate change will require, will utterly undermine the infrastructure, logistics and processes needed to keep these wonderful conveniences of modern life in production and in useful condition.

So I’ve started noticing and being grateful for these technologies, since I suspect future generations will see them slowly start to become unreliable or scarce, and, a few generations from now, our descendants will be mostly unaware they ever existed.

Here’s my top 10 technologies I’ll miss when they’re gone, beyond the obvious ones cited above. Thanks to their inventors and developers (almost always collective efforts, “building on the shoulders of giants”) for making my life easier, more joyful, and more comfortable. In no particular order:

  1. The LED. A little technology that allows light in places that could never before afford it, reduces energy use by 85%, is more durable than what it replaces, and will soon power, and make lighter, all the monitors we use for so many purposes.
  2. The digital camera and optical lenses. I am old enough to remember the mess and hassle of darkrooms, black and white photos, troublesome film, costly film development, and massive, clunky cameras. I appreciate how lenses can let us see what we could otherwise not: clear sight thanks to ever-more-sophisticated eyeglasses, and the marvels seen through incredibly inexpensive microscopes, binoculars and telescopes, and captured through zoom lenses.
  3. Cotton and polyester fabrics. They provide astonishing warmth very inexpensively (robes and sleeping bags), versatile, care-free, no-iron clothing and other goods for every occasion, and are the “stuff” that most inexpensive soft toys are made from.
  4. Wi-fi. Although still plagued by opportunistic lawsuits, this global protocol enables unprecedented collaboration, productivity virtually anywhere, and free telephony. What more could you ask for?
  5. Detergents. Although they are not harmless, detergents are a simple invention that are less environmentally toxic than most cleaning chemicals, and the most effective cleaning ingredients ever invented.
  6. Modern headset/earbud tech. Remember the tinny sound of transistor radios? The relatively simple but infinitely subtle technology of getting realistic sound to your ear is remarkable.
  7. Books. Ancient tech, and an enormous consumer of finite resources, but still the most indispensable tool for learning. And then gift them to others!
  8. Portable electric appliances. For tiny apartment kitchens (counter-top stoves, toaster ovens, kettles, coffee-makers, blenders, and yes, even microwave ovens), for emergency first aid (heating pads etc), and for unmatched pleasure (vibes etc) it’s hard to imagine how we ever did without these labour-saving devices.
  9. Blogs. Maybe they’re socially obsolete, but having my own site with my own stuff organized as I like it and accessible forever has changed my life: Allowed me to think out loud and evolve my worldview, found me love, jobs, and my publisher, developed my writing skills, and serves as my auxiliary memory.
  10. My treadmill desk. An extravagance, perhaps, but it’s the only exercise device I’ve ever kept using. I can do almost anything while exercising (so the tedium vanishes). To a substantial degree I owe my health to it. (Oops just thought of a #11:)
  11. Flash memory. Up to a TB of durable storage for practically nothing. And no dependence on “the cloud”.

I’m sure I could think of others. But it’s more fun to think of the 10 worst technologies that I certainly won’t miss when they’re gone. Again in no particular order:

  1. The cellphone. Dumbest invention ever. Incredibly expensive, tiny useless keyboard, tiny awkward annoying screen, outrageous monthly fees even without “roaming” charges, unreliable signals, rapid obsolescence, poor construction. Everything it does is done better by other, less expensive devices.
  2. Bluetooth. Wi-fi but with a hopelessly limited range. Ridiculously unreliable. Devices that use it are generally shoddy. This century’s version of the walkie-talkie.
  3. Private automobiles. Imagine the world we might be living in if this absurdly expensive invention had never come to pass, along with all the oil and land it has consumed, and all the pollution and time waste it has produced.
  4. Mass media: TV, radio, newspapers — all the media that purport to inform and entertain but instead pander, propagandize and distract. What a monstrous waste of time, energy and human endeavour.
  5. Money, and the banking industry: A grossly-overpaid, usurious industry that produces nothing of any value whatsoever, and through encouraging indebtedness creates massive misery, stress, dislocation and dysfunction. [Long rant omitted here]
  6. QWERTY: And typing keyboards in general. Why is progress towards voice (and handwriting) recognition so slow that we still have to rely on this absurd 19th century invention for manual typewriters?
  7. “Social” media: By which I mean media that pander to people and activities that are absolutely free of any original content. The cost of this utter waste of time, and the servers and machines and technologies and airtime needed to sustain it, and the psychological damage it causes, are incalculable. For what? So that people can tell others, who mostly don’t give a damn, what they like and don’t like, and what they’ve read that is probably incorrect, misunderstood, deliberately misleading and/or unactionable?
  8. The mattress: Must be the consumer item with the most unjustified high markup (up to 900%) and the least real innovation of anything on the market. Air beds, water beds, memory foam — we spend a third of our lives on these things and this is the best they can do?
  9. Heating systems: In affluent nations we’re living in bigger houses yet in smaller families than ever before. Most of the heat in our homes (and I presume, the “coolth” of air conditioners as well) is lost, wasted. Technology exists to essentially eliminate the need for heat or cooling, and to provide what is needed economically and sustainably, but almost no homes use it because it costs more up front. Insane.
  10. “Widescreen”: As absurd as the 20th century’s “quadraphonic stereo”, this takes a bad idea (presenting all online media on a screen with landscape rather than the portrait orientation that we’ve used, sensibly, for books and other information media since they were invented), and makes it even worse. I give it ten years.

I’m sure I could add many technologies to this list too (eg email and “intellectual capital” might be contenders), but my purpose isn’t to rant or to get people charged up, it’s to reflect on my gratefulness for good technologies, and to remind myself not to waste time, money and energy on the bad ones.

Hope this has been fun for you to read, and inspires you to be grateful for some of the wonderful technologies that make our lives better, and to the brilliant minds that made them possible. We’ll miss them when they’re gone.

Posted in How the World Really Works | 5 Comments

The Fortune-Teller

This is a work of fiction.


Image from Max Pixel, cc0. Photoshopped with ‘watercolour’ effect.

I had noticed the lemonade stand each time I had passed, but I hadn’t had time to stop before. It was an impressive stand, by the curve in the two-lane mid-island road where everyone in cars had to slow right down, and where the hiking trails crossed. Beautifully lettered in an ancient-looking script, the sign said “World’s best lemonade — $1.00 — Fortunes — $10”. There was a crystal ball on the table beside a large glass pitcher of lemonade. The adolescent girl sitting at the stand was dressed in an ornate peasant costume with a kerchief, and she had a penetrating, beckoning gaze that seemed to suggest she knew something you didn’t.

I gave her a loony for lemonade and she said to me “I wondered when you’d stop. The faeries are worried about you, you know.”

“They are, are they?” I replied, with a smile. “Why would they be worried about me?”

“Because you’re too much alone. And too much inside your head.”

“They must be pretty smart. What else did they tell you about me?”

“They didn’t have to tell me. It’s obvious to anyone who pays attention. You wear it. If you want to know more…” and then she turned her head towards the crystal ball and to the price sign.

“Ten dollars for a fortune. Seems a bit disproportionate to the price of the lemonade.”

“Lemonade is everywhere. Wisdom is scarce.”

So I dug around in my pocket and found and handed her a $10 bill. “Sit”, she said, motioning to the chair in front of the crystal ball. She wrapped the kerchief around her head, took my hand and looked into the ball.

After a moment she said “The crystal ball is just for effect. I don’t need it, but the customers expect it. They don’t see that someone can just know, can just see. The faeries taught me, but they just brought out something that they recognized was already there.”

She paused again and then said. “You can’t take too much at once, so I’m going to go slow and be short…. I’m sorry you’re struggling so much.”

I thought: Is there anyone who wouldn’t be taken in by that last comment, anyone to whom it somehow didn’t apply? But then she asked me what my question was, and I thought a bit and replied “Will I find a sense of peace before this body dies?”

She looked at me with a curious expression. “You won’t, but there may be a sense of peace. More likely that a sense of peace is no longer needed.”

She paused again and then said: “The faeries have three instructions for you. The first one is: Smile. All the time. Doesn’t matter if you’re with people or alone. It’s a muscle worth exercising. So just do it, and every time you catch yourself not smiling, start smiling again. But it has to be authentic, genuine; no grimaces or faking it…. Look at this amazing place”, she said, gesturing to the towering mountains and sun-drenched sea behind us. “What’s not to smile about?”

“OK”, I said, smiling. “That’s Instruction One. What are the other two?”

“That’s all you can manage for now”, she replied. “Come back in a week. We’ll still be here.”

I laughed, and went to speak but she interrupted me and said “No additional charge. As long as you at least try to follow the first instruction. OK?”

I nodded. As I turned to walk away I recalled that, throughout my visit, she had not followed her own advice — not once had I seen a smile on her curious, enigmatic face, and when I left her brow was furrowed. I resolved to ask her about that the next week.

For the first three days thereafter, I tried hard to follow Instruction One. It was enormously difficult, and I began to realize how unconscious, how out of our control, our facial expression is. I put a yellow smiley on my laptop, first beside the keyboard, and then beside the camera lens where I could not help noticing it. The next day I put a second one on the upper left corner of my left eyeglass lens.

My first appreciation was that unforced smiling actually did affect my mood, and that when I’m smiling, I notice things more often, and focus on them for longer, than when I’m just inside my head. It’s as if my brain is constantly saying “Hey, what is it that you’re smiling about?” and turning its attention to finding visual clues to justify the smile. It was my first realization that the brain’s incessant pattern-making is all about rationalizing what is already happening, not actually making anything happen, not actually deciding anything. And, looking (or, sometimes, listening), it is forced to find something worth smiling about.

This was a rather mind-boggling discovery, and I discovered it worked with the other senses too. When I smiled as I ate, I was more aware of the tastes, and more pleased by them. I also ate more slowly, more attentively.

My second appreciation, just as my Instruction One week was ending, was that when I was smiling, I was thinking less. The brain, it seems, has only so many cycles to apply to everything it does, so when it is focused on parsing sensory inputs to try to rationalize the constant smiling (perceiving), it has less bandwidth left over for conceiving, for abstract thinking. I realized that processing sensory inputs is an intellectual but not necessarily a conceptual process — the brain can notice and discriminate and appreciate colour and shade and intensity of light reaching the eyes without necessarily labelling or making judgements about what is seen. There are, it seems, two ways the brain “makes sense”. The first is instinctual, sensuous and appreciative, and the second is rational, analytical, meaning-making and purposeful.

From a non-duality perspective, I wondered: Does the body “do” the first and the self “do” the second? What would happen to ‘me’ if only the first happened?

I was smiling as I walked up to the lemonade stand for my second visit, and so was the fortune-teller girl. I relayed what had happened while following Instruction One and she nodded and beamed. When I asked about her unhappy expression the previous week she reassured me that she almost always smiled, but that she had been concerned about me and my demeanour; that I had had an expression of being at once lost and scared. When I said I thought I was ready for Instruction Two, she said, quizzically, that it was in some ways the same as Instruction One, just looked at differently. She also cautioned me that smiling was not a cure or solution for anything, particularly my sense of being lost and scared.

“Remember when you told me that when you were smiling your mind was preoccupied with sensory processing — colour and shade and line and qualities of light — rather than making meaning of these qualities?”, she said. “Well that’s your second instruction: Pay attention and notice. Notice the details, the qualities, of light and sound and texture and taste and scent, and more. Just that, leaving no room for thinking about what it means. As you’ve already observed, the more you sense, really sense with your whole being, the less you will think. And the less you will have to think.”

I was still smiling, and the seeming incongruity of the final sentence of Instruction Two made me laugh.

“You are a very remarkable young lady”, I told her. “Did the faeries really tell you all this, tell you to give me these instructions?” I didn’t say it condescendingly; regardless of the source of these insights, it was pretty clear this youthful fortune-teller really knew her craft.

She smiled back at me and sighed, leaning back in her chair. Then she replied “You know, there really are no faeries. It’s just easier to use them as a metaphor. Did you know that the original meaning of faerie is teller? They are the personification of fates, as faeries and fates come from the same root, the same source. And fate doesn’t mean predestination; it means simply ‘that which is told’.”

“Huh. So does that mean you are the faerie, the fortune teller, the vehicle for telling that which must be told?”

“As I said, there are no faeries. There is only that which is told. The word fortune has nothing to do with seeing the future, or with success or failure. Its original meaning was simply ‘that which is brought or borne’.”

I laughed, entranced at this curious adolescent with her “just for effect” crystal ball and the too-old-for-her kerchief-and-shawl peasant costume. I just had to probe a bit further:

“And you had no choice but to be this teller, this bearer of truths?”

“There is no choice. Just as you had no choice but to come to my stand. As for whether what is told or brought or borne is truth, I cannot say. It doesn’t really matter. So… see you in seven days?”

“Of course. I am off to pay more attention, and to notice more. Thank you.”

Over the next week, as my curiosity about my lemonade girl messenger continued to grow, my ‘practice’ of smiling and noticing deepened. I’d given the smileys on my laptop and eyeglasses much larger eyes, a reminder to notice as well as smile.

And then the third appreciation happened: I realized that, for me, the passage of time seemed to be slowing. The more I paid attention, the longer my days seemed to become, as if paying attention was taking less than no time at all.

And then, a few days later, a fourth appreciation: The more my attention was focused on everything else, the less of my nebulous time was ‘left’ to focus on ‘me’ and on what was happening inside my head. And as this happened, the distinction between ‘me’ and ‘everything else’ also became more nebulous. “Attention”, as the Laurence Cole song and the Eckhart Tolle saying both advise, “is the healer of separation”.

Needless to say, the days until my third visit to the lemonade stand seemed to last an eternity. I tried to guess what the Third Instruction might be. Finally the day arrived.

When I arrived at the lemonade stand, I sighed: the girl wasn’t there. Instead, behind the stand, a woman was picking berries from a wild raspberry bush growing by the road. As I walked up to the stand, I noticed a slight resemblance between the eyes of the berry-picker and those of my young fortune-teller. I asked the woman if she was the fortune-teller’s mother.

“Ah, so you’re the one”, she replied. “We are related, but she is not my daughter. Sit; she has asked me to stand in for her today.”

I am sure the disappointment registered on my face, but the woman took my hands in her own and gave me a reassuring nod. I looked down at my shoes, chagrined.

Observing my downcast look, the woman began to laugh. Her laughter made me smile, and soon her laugh, which went on and on, became contagious and we laughed together. I looked at her, and she caught my gaze, holding my attention with her deep grey, strangely familiar eyes.

When our laughter finally slowed, and I was lost in the details of her eyes, smiling deeply, she said: “Aha, you’ve guessed the third instruction: Eye contact. Just like the smile, it has to be authentic, genuine, connected. When you meet people, really look into their eyes until you see. Don’t think about it — just notice, pay attention. The eyes speak a language all their own, and with practice you can learn it. But you have to want to. It’s an astonishing language, one that it seems few people ever really care to learn.”

In fact I had not guessed the Third Instruction, and unlike the first two instructions, which seemed intuitive to me, this one was perplexing. I enjoyed smiling and noticing, but I didn’t really like most people very much, and this instruction seemed, well, personal.

When I expressed my dismay, the woman, without once taking her eyes from mine, said: “This is the hardest of these instructions. You might start by practicing with wild creatures — especially young puppies, kittens and birds. They won’t judge you. This is not about staring, it’s about observing. Notice movements of the eyes and face, but do so with your senses and intuition — don’t try to read or interpret them or think about them at all. Just give them your attention like you’ve been giving your attention to everything else these past weeks.”

I protested: “But I think, to some people, sustained eye contact could be interpreted as an act of aggression, rudeness, or even violence. I don’t think I could do that.”

“You can’t help what other people think”, she replied. “They will think, and think about you, what they will think, whether you notice them or not. Don’t worry about what they’re thinking, or whether they’re judging you. Don’t worry about ‘them’ at all. This is not about them, and not about you. It’s about seeing that there is only one, and that the eyes you are making contact with are part of that, just as your eyes are, as everything is. This is about connection in a way humans have largely forgotten to connect. Other people’s minds may interpret your innocent or curious or appreciative attention as aggressive, but their instincts, their bodies, can tell the difference.”

“Hmm, I’m not so sure. I know people who get angry if they think they’re being stared at or leered at, and I don’t really blame them. It’s a dangerous world.”

“Most people, like you, let their judgements, and their bad memories, cloud their perceptions of what is actually happening. That’s a risk you’ll have to take. You can look at someone with attention without looking at them with intention, without staring or leering…. Many people are afraid of discovering connection. If your senses tell you they’re reacting that way, give them a Canadian ‘sorry’ and look elsewhere. But I think you’ll be surprised at how many people will see your eye contact for what it really is — a connection. And if they do you might be amazed at what will come of that, including how it might change you.”

We were quiet for a while, and then I nodded, thanked the woman, asked her to thank her young relative for me, and rose. Before I left she said: “You may discover that what our little fortune-teller has told you is something you have always known, something everyone, deep down in their soft animal bodies, has always known. You’ve just forgotten. Smiling, noticing, eye contact — they just might help you remember what you really are.”

I wandered back along the hiking trail that led to my home. I was smiling, and listening attentively to the tonal qualities of bird songs in the surrounding forest, when I heard the voices of children off in the distance. As I got closer I caught sight of a group of youths of various ages in a clearing off the trail. They were laughing and playing, and all dressed in very colourful costumes. Some were playing ancient-looking musical instruments. Instinctively, one of them turned her gaze to me just as I looked at her. It was my fortune-teller, wearing an ornate bird costume festooned with feathers, and she smiled broadly at me, put her thumb and index finger together in an “O”, and held it up over her eye as she returned my gaze. I put my hands together in front of me and nodded to her. She laughed, returned the gesture, and chased off after the others into the forest.

Posted in Creative Works, Illusion of the Separate Self and Free Will | 4 Comments

Self-Impression

barsotti truth
cartoon by the late, wonderful Charles Barsotti

This past weekend I attended a get-together of about 20 enthusiastic, knowledgeable people on the subject of radical non-duality, organized around the (rare) visit of Jim Newman (Non-Duality Dude) to North America.

The message we shared was the same elegant, uncompromising, hopeless message I’ve written about ad nauseam on this blog. The gathering was a deep dive into that message and its implications (for no one), and was relatively free of the questions and assertions about spirituality, enlightenment, process, purpose and journey that (IMO) indicate a lack of understanding of the radical non-duality message, and which often arise in such meetings. Many thanks to Rita and Jim and the organizers and participants who made it so thought-provoking, and such fun.

While I have, for now at least, fully embraced this message (it just makes sense to me intellectually and intuitively, resonates in a way I can’t explain, and jibes with what science is now beginning to postulate about the nature of time, space and the self), I noticed that my self was furiously asserting itself throughout the weekend, despite my determination to just sit back and pay attention. I caught my self (but of course couldn’t stop my self from):

  • trying to impress everyone
  • seeking reassurance that my understanding and ideas about the message were ‘right’
  • feeling jealous of those who seemed somehow closer to the ‘falling away of the self’
  • being absurdly curious about others’ description of ‘glimpses’ (for me the jury’s still out on whether what I described as a ‘glimpse’ two years ago was in some sense a brief ‘falling away of my self’, or was just wishful thinking, another experience of my self)

Who was ‘I’ trying to impress? Not the (apparently) smartest and most attractive and most equanimous people in the room, not really. I was trying to impress my self, reassure my self. It was my self that was jealous and curious and reactive. None of my behaviour had anything to do with anyone else in the room. It was, sadly, all about me, scared, lost me, hopefully (if not expectantly) and impossibly seeking, to realize, or at least to more fully know and appreciate, the truth of this message. And it was me who then felt ashamed of my behaviour, disappointed in my self, angry with my self, absorbed in self-ish anxiety.

This was and is, of course, the only way I could have and can behave. No one really has any self control, or control over anything. But that didn’t make my behaviour any less discouraging to observe.

I think this is likely a universal attribute of the self, this compulsion to impress, to get attention and appreciation and reassurance, and to be reactive and absorbed with self-judgement. That is not to diminish in any way the role that trauma and abuse play in the chronic mental struggle and misery that many (most?) suffer with. Look at the most obvious public example, Der Drumpf, and you can see the acting out and reacting to some dreadful constantly re-triggered past trauma, in the desperate seeking to impress, for endless attention and appreciation and reassurance, and in the fierce, compulsive, reactive negative emotions that absolutely define him.

But even without a traumatic past, my sense is that every self, in the desperate search to be free of the unsatisfactory, terrifying sense of separation from all-that-is, is endlessly driven to impress and to get reassurance that it is on the right track, that it is really OK, and that it is not utterly alone. We can’t help our selves. We are all ceaselessly trying to heal ourselves (our selves) and others we care about.

In radical non-duality terms, this healing effort is a manifestation of the attempt to make the unescapable prison of the self more comfortable. Mine has probably always been more comfortable than most, and my appreciation of the message of radical non-duality seems to have made it more so. My anger now seems to dissipate faster; my fears, once they’re recognized as that, and seen as unfounded and unhelpful, seem to be less overwhelming.

Most notably, my self has found that it is somewhat liberating to realize, at least intellectually, that it has no choice, no free will, no control over or responsibility for anything. That no one is to blame. Despite the apparent complexity of reality and of agency, it’s actually even simpler and more hopeless than that. There ‘simply’ is no you that can do anything.

Somehow to me, everything seems a bit easier with that perspective. Each time I thought up a question to ask Jim, thinking a bit made me realize I already knew the answer, that it truly is even simpler and more hopeless than we can imagine. Obvious, even.

We are conditioned to think of our selves as ‘residing’ within a particular brain and body. So it was illuminating to hear Jim remind us that “the me (the self) arises simultaneously in everything”. Not only am ‘I’ an illusion, but the perception that ‘I’ am located in a particular place is also an illusion. Everything separate is an imagining of the self.

I find this mind-blowing. Why do we have this sense of location? Actually, for no reason, but it is conceivable that the (self-)invention of the self requires a pretty heavy-duty brain to conjure up, and requires the affirmation of its ‘reality’ through the feelings of the senses and body, and through the relentless cultural conditioning of other selves insisting that we are inextricably located in (and hence responsible for) this particular brain and body. If the self is an illusion of the human brain and body, it’s perhaps understandable that the self perceives itself as located in the brain and body that created it. It is in a sense inseparable from its creator; even before it claims ownership of that brain and body, it realizes it has nowhere else to go.

And everything the illusory self thinks is happening to it is just an experience, a story, an embodied, felt rationalization, and inherently as unreal as the self that invented it. Yet each experience is so compelling the self feels it as real, just as a powerful film makes us feel that its characters and plot are real and we are personally a part of what is happening. The film is just a clever trick, and so is the self.

Someone at the meeting used the word radiance to describe the indescribable everything that just is. I like the term because it’s less mystical, more energetic and less abstract than a lot of other terms often used to describe it. It has a gerund-like sense of amorphousness (somewhere between noun and verb, but not really either) to it, that suits a word trying to “eff the ineffable”. Quantum scientists like Carlo Rovelli and Sean Carroll are starting to describe a universe that “just is”, like an infinite, timeless field of limitless potential. Even if it’s just a metaphor, ascribing radiance to it seems helpful, and a bit poetic.

And as happened with my visit with Tony Parsons in Wales last year, we pondered, as the event drew to a close, why anyone would be compelled (since we have no free will) to come together to discuss such an absurd, hopeless, useless message.

And we wondered, as well, why there aren’t millions coming together to discuss such an awe-inspiring, liberating, elegant, curious, internally-consistent, science-supported message. The possible answers to that are manifold, and endlessly fascinating.

Posted in Illusion of the Separate Self and Free Will, Our Culture / Ourselves | 11 Comments

On Compassion: Michael Dowd Sermon

Michael Dowd based his sermon this past weekend on my Cultural Acedia: When We Can No Longer Care post, focusing in particular on the eight essential human needs listed above. He outlines a naturalistic, holistic, ecocentric approach to coming to grips with the state of the world, stresses the importance of collective self-care in ensuring we meet these essential human needs so that we can do the important work of caring for our world, and, I think most importantly, outlines the segments of our society who are in particular need of our compassion and generosity.

You can watch the sermon on YouTube here. He’s a very compelling and articulate speaker. Thanks Michael!

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Conversation


artwork from a collection of Nick Smith, possibly by John Wareham

“Hey, haven’t seen you in ages. How are you?”

“Well, I’m still the world’s most blessed agnostic, lost and scared, hopelessly dreaming of impossibly peaceful and beautiful places and bodies, and yearning for the end — at last — of separation. [pause] How about you?”

“Oh, I’m good.”

Posted in Creative Works, Illusion of the Separate Self and Free Will | 2 Comments

True Story


Cartoon from poorlydrawnlines.

Tell me the true story, about the time when that man
Took you in to lend a hand, and how you took him for a spin
And that money you saved you stole from him…
Tell me the true story, of how you yelled at your Mom and Dad
Left home with all you had
And now you’re running scared, and you’re mad.
     — True Story, by the Small Glories

Two years ago I wrote (for the nth time) about stories. That time it was trying to deconstruct my own story — the old Story of Me I had built up over a lifetime that was designed to give meaning and coherence to my life and to provide a hint of how I might be of use to others. That’s what we do when we tell our stories. With friends we tell stories about what apparently happened, what we thought, how we felt, to use them as a sounding board for making sense of what happened, to fit it into our Story of Me. With casual acquaintances we tell stories about what we do or did “for a living”, usually in the hope that may lead to a connection, professional or personal.

Often good stories are prompted by good questions. But what exactly is a good story? And what is a “true” story? To me a good story, like any piece of good art, has seven essential qualities: (1) it gives pleasure, (2) it provides some fresh understanding, (3) every sentence in it counts (no padding), (4) it takes a camera or “theatre” view (says what was said and what objectively happened without any interpretation or judgement), (5) it respects the audience’s intelligence (no manipulation or deliberate obscurity), (6) it leaves space for the audience (to fill in their own details), and (7) it must be in some way really imaginative, clever, or novel.

I think what makes for a “true” story is element (4) — just describing what happened factually and letting the listener decide how to interpret it. Great songs (like the one excerpted above), or like this one, and great poetry, tend to be “true” stories, not cluttered with the writer’s self-absorbed reflections on what they thought or felt.

Why is this? Perhaps because it’s hard to relate to another person’s thoughts and feelings, but easy to follow and visualize and emotionally react to the events of a story. The facts are necessarily “authentic” in a way that the processed thoughts and feelings of a narrator can never be. So great songs convey the feeling in their tone, their melodies and harmonies, and great creative writing does so through its tone, the images it invokes and the perceptive adjectives it uses.

And then, the icing on the cake that rescues the song or writing from being just an observant tone poem or banal self-indulgence, is this: Some understanding can be conveyed by what the “camera view” of the teller focuses on, and by the clever juxtaposition or turn of phrase that helps you see something you couldn’t see before. In the song True Story it’s the realization that most of our stories aren’t really true, and hence are shallow, and that self-honesty and authenticity can create powerful (and necessary, if the relationship is to last) connection. In the song True North it’s the juxtaposition of constant change with the unchanging, and the realization that life consists of a balance of both. Of course, if the songwriters had written the two sentences I just wrote, their songs would have been terrible. The songwriters conveyed these important understandings through telling the stories, with a just a hint (in the song titles, in the harmonic resolution of the final notes of the choruses) that gently steers you to the understanding. (A lot of stories also contain three verses that lead you in a particular direction.) Great stories mustn’t hit you over the head (à la Aesop’s Fables “morals”) or manipulate you (eg a certain Supreme Court nominee’s fake tears and righteous privileged white male indignation).

In short, if you want to be a great story-teller, don’t tell me what you think (or thought), or feel (or felt), or believe (or learned), or what you think I should think, or feel, or believe. Tell me what happened, full of facts about what was said and done, and imagery and sensory information so that I can imagine myself there, and let me decide how that feels and what I would think. That’s a good story.

There is a great tendency (especially, it seems, in males) to try to ‘helpfully’ convey one’s own synthesis of understanding, rather than telling a story that leads to the same understanding. A synthesis is of necessity a sense-making, a judgement, and something of an oversimplification. As a result, it’s suspect. That’s why great presentations use stories (sometimes a single anecdote is enough), and why the most brilliant syntheses, no matter how often restated and no matter how cleverly articulated, are not memorable. They can be really interesting (many of my most-read articles, and some of the most popular works of non-fiction, consist of lists, often of the “how to” variety; these are all of necessity writers’ syntheses). But we intuitively don’t tend to trust them, and without a story they are almost invariably not specific or rich enough to be truly actionable.

Sadly, few stories meet the seven criteria above. It takes a mix of talents (imaginative, creative, compositional, perceptual and synthetic) to write a great story. I was amazed at how different (and more difficult) it was writing a play compared to writing a short story with a narrator, even though I always try to avoid “thought balloons” and “he felt…” passages in my fiction).

What happens if we strip away our thoughts (including syntheses) and feelings (including judgements and suppositions) from our stories? Two years ago, I deconstructed my self-aggrandizing Story of Me (everything I had supposedly accomplished, which was a self-assessment) and replaced it with a “humbler” supposedly less-dualistic Story of Me. But I now realize the replacement was just as judgemental as (just more self-deprecating than) the original. And just as dualistic.

Here’s something perhaps closer to a “true” story of me:

There is no ‘me’. The illusion of a ‘me’ within this character emerged at about age 6 and has been around ever since. It has never been comfortable in the seemingly-fraudulent, inauthentic role of Dave the Person, but as the chemistry of this body has changed and the stresses to ‘perform’ have eased, the illusory ‘me’ has been less depressed, though it is still almost as anxious and fearful and prone to escapism. Falling in love has provided powerful but only temporary respite.

That’s it. It meets almost none of the criteria of a good story. It’s neither interesting nor useful. By itself it is not a “true” story either, though I think I could construct (a much longer) one that would say essentially the same thing without the judgements and self-perceptions. But there would be no purpose in doing so. It would be a bad, true story.

Recently I attended a meeting of young entrepreneurs, faithfully telling the old “untrue” Story of Me and earnestly offering advice and reassurance. What compelled me to attend this meeting? The answer, of course, is that ‘I’ had and have no choice. Forty years of conditioning is well-nigh impossible to break. It shows that ‘I’ am holding on for dear life. Tomorrow, ‘I’ will go to several volunteer meetings and be deeply, momentarily engaged, even though there is no ‘me’ and even though nothing really matters.

And then ‘I’ will come home and start on another blog post, as ‘I’ can’t not write. It’s how ‘I’ have been conditioned to make sense of (and remember) things, and to express what ‘I’ have no other avenue to express.

Hopefully my conditioning, which seems to be gradually shifting, will increasingly see me writing stories that are (by the above criteria) both good and true. But I wouldn’t bank on it. Hopefully, over time, my conditioning will lead me to let go of the old Story of Me and to stop telling stories — both to myself and to others — that are neither good nor true.

But in the meantime — sorry, I’m doing my best and it’s all I can do. Lost and scared, ‘I’ am.

True story.

Posted in Illusion of the Separate Self and Free Will, Our Culture / Ourselves | 2 Comments