![]() The purpose of the information media, says Bill Maher, is to make what’s important interesting, So what’s the purpose of the entertainment media? Watch the gruesome stunts on reality TV, the gross-outs and humiliation that passes today for ‘comedy’, and the gut-wrenching fare of cinematic dramas, war, action and horror films, and you could easily conclude that its purpose is to make us numb, to desensitize us, so that it takes more and more outrageous depictions to rouse any response from us at all. Yet there seems to be an appetite for this. Why would people want to pay money to be shocked, appalled, and grossed out? I used to believe that most people were just insensitive, and required more and more stimulation to get their adrenaline going (which, for some reason, a lot of people seem to like). But when I talk to the fans of this ‘entertainment’, it seems more as if they are too sensitive, and that they are trying to inure themselves to the shocks that they are finding too much to bear. Subjecting themselves to horrific violence is like a self-imposed hazing, or a rite of passage, or basic training, except that it is to equip them to be able to handle the brutality of life rather than the brutality of university or military duty. In some ways it seems to be the mental equivalent of self-administered body piercings and tattoos. What’s going on here? Why, when we could be going to movies or plunking down in front of the TV to laugh with people, to be charmed and delighted by funny characters delivering clever lines, are we instead going to laugh at people who behave offensively, who act ridiculously, and who insult and demean others? Why, when we could be uplifted by stories of courage and indomitable human spirit, do we instead choose to see stories of unimaginable brutality, anguish, relentless horror and suffering, often without resolution or redemption? Why, rather than piquing our imaginations with what they don’t show, do today’s popular films use grisly hyper-realistic graphics and special effects that leave nothing to the imagination? We’re still coy about the depiction of sex in films, so why are we so blatant and vulgar in the depiction of extreme violence? When I go to the movies I go to laugh, or to learn, or to be transported by a good story. Perhaps that is a form of escapism, but it is, I think, a healthy one, akin to the pre-cinematic experience of going to see Shakespeare in the park, or a bedroom farce or mystery at the local theatre. Modern ‘entertainment’ media productions, on the other hand, seem to be driven by schadenfreude, the desire to see someone else suffering more than we are, and more akin to watching an execution, or a car accident, or a sensational murder case in court, live. They say that, to the families of the victim, watching the murderer’s execution brings a kind of closure, of relief. But what closure is there in watching the depictions of strangers’ suffering? So I’m left to conclude that it’s numbness we seek, to be so inured to pain and the suffering of others that we feel nothing. When I imagine the suffering of animals in factory farms and laboratories, of the victims of spousal and child abuse, of child and slave labourers, of wrongly-accused and political prisoners, of rape and abduction and murder victims and their families, of those who struggle every day with abject poverty or disease or looking after someone who can’t look after themselves, with no respite or hope that tomorrow will be better, I can appreciate the desire to be numb, to be unable to feel. But that feeling of anger and helplessness and frustration is not so pervasive and all-consuming that I really want to give up feeling. For all the misery and suffering in the world, life is still wonderful. But perhaps that’s because I’m 55 years old, and I have some hard-won perspective. My future is pretty-well set. I’m not going to be around to see the collapse of civilization, and may not even see the second Great Depression. I have a pension waiting for me, and a nice home in a great neighbourhood. I’m debt-free. Our kids are independent, happy and well-adjusted. And I know how the world works, and how to cope with it. If I were in my 20s or 30s, with the uncertainty of a 21st century future still stretched out before me, and lots of debt and no security and no experience, scratching at the bottom of the ladder to make a living, perhaps I would want, at the end of a day of drudgery, at the start of a life of dread, just to be numb, to feel less overwhelmed, to feel less. Perhaps, at the age of 55, the reason that I do not seek to be numb, and to feel less, is that, in the process of getting to age 55, I already have become numb, desensitized, unfeeling. No more anaesthetic for me, thanks, Hollywood. I already gave. |
Navigation
Collapsniks
Albert Bates (US)
Andrew Nikiforuk (CA)
Brutus (US)
Carolyn Baker (US)*
Catherine Ingram (US)
Chris Hedges (US)
Dahr Jamail (US)
Dean Spillane-Walker (US)*
Derrick Jensen (US)
Dougald & Paul (IE/SE)*
Gail Tverberg (US)
Guy McPherson (US)
Honest Sorcerer
Janaia & Robin (US)*
Jem Bendell (UK)
Mari Werner
Michael Dowd (US)*
Nate Hagens (US)
Paul Heft (US)*
Post Carbon Inst. (US)
Resilience (US)
Richard Heinberg (US)
Robert Jensen (US)
Roy Scranton (US)
Sam Mitchell (US)
Tim Watkins (UK)
Umair Haque (UK)
William Rees (CA)
XrayMike (AU)
Radical Non-Duality
Essential Reading
Archive by Category
My Bio, Contact Info, Signature Posts
About the Author (2023)
My Circles
E-mail me
--- My Best 200 Posts, 2003-22 by category, from newest to oldest ---
Collapse Watch:
Hope — On the Balance of Probabilities
The Caste War for the Dregs
Recuperation, Accommodation, Resilience
How Do We Teach the Critical Skills
Collapse Not Apocalypse
Effective Activism
'Making Sense of the World' Reading List
Notes From the Rising Dark
What is Exponential Decay
Collapse: Slowly Then Suddenly
Slouching Towards Bethlehem
Making Sense of Who We Are
What Would Net-Zero Emissions Look Like?
Post Collapse with Michael Dowd (video)
Why Economic Collapse Will Precede Climate Collapse
Being Adaptable: A Reminder List
A Culture of Fear
What Will It Take?
A Future Without Us
Dean Walker Interview (video)
The Mushroom at the End of the World
What Would It Take To Live Sustainably?
The New Political Map (Poster)
Beyond Belief
Complexity and Collapse
Requiem for a Species
Civilization Disease
What a Desolated Earth Looks Like
If We Had a Better Story...
Giving Up on Environmentalism
The Hard Part is Finding People Who Care
Going Vegan
The Dark & Gathering Sameness of the World
The End of Philosophy
A Short History of Progress
The Boiling Frog
Our Culture / Ourselves:
A CoVid-19 Recap
What It Means to be Human
A Culture Built on Wrong Models
Understanding Conservatives
Our Unique Capacity for Hatred
Not Meant to Govern Each Other
The Humanist Trap
Credulous
Amazing What People Get Used To
My Reluctant Misanthropy
The Dawn of Everything
Species Shame
Why Misinformation Doesn't Work
The Lab-Leak Hypothesis
The Right to Die
CoVid-19: Go for Zero
Pollard's Laws
On Caste
The Process of Self-Organization
The Tragic Spread of Misinformation
A Better Way to Work
The Needs of the Moment
Ask Yourself This
What to Believe Now?
Rogue Primate
Conversation & Silence
The Language of Our Eyes
True Story
May I Ask a Question?
Cultural Acedia: When We Can No Longer Care
Useless Advice
Several Short Sentences About Learning
Why I Don't Want to Hear Your Story
A Harvest of Myths
The Qualities of a Great Story
The Trouble With Stories
A Model of Identity & Community
Not Ready to Do What's Needed
A Culture of Dependence
So What's Next
Ten Things to Do When You're Feeling Hopeless
No Use to the World Broken
Living in Another World
Does Language Restrict What We Can Think?
The Value of Conversation Manifesto Nobody Knows Anything
If I Only Had 37 Days
The Only Life We Know
A Long Way Down
No Noble Savages
Figments of Reality
Too Far Ahead
Learning From Nature
The Rogue Animal
How the World Really Works:
Making Sense of Scents
An Age of Wonder
The Truth About Ukraine
Navigating Complexity
The Supply Chain Problem
The Promise of Dialogue
Too Dumb to Take Care of Ourselves
Extinction Capitalism
Homeless
Republicans Slide Into Fascism
All the Things I Was Wrong About
Several Short Sentences About Sharks
How Change Happens
What's the Best Possible Outcome?
The Perpetual Growth Machine
We Make Zero
How Long We've Been Around (graphic)
If You Wanted to Sabotage the Elections
Collective Intelligence & Complexity
Ten Things I Wish I'd Learned Earlier
The Problem With Systems
Against Hope (Video)
The Admission of Necessary Ignorance
Several Short Sentences About Jellyfish
Loren Eiseley, in Verse
A Synopsis of 'Finding the Sweet Spot'
Learning from Indigenous Cultures
The Gift Economy
The Job of the Media
The Wal-Mart Dilemma
The Illusion of the Separate Self, and Free Will:
No Free Will, No Freedom
The Other Side of 'No Me'
This Body Takes Me For a Walk
The Only One Who Really Knew Me
No Free Will — Fightin' Words
The Paradox of the Self
A Radical Non-Duality FAQ
What We Think We Know
Bark Bark Bark Bark Bark Bark Bark
Healing From Ourselves
The Entanglement Hypothesis
Nothing Needs to Happen
Nothing to Say About This
What I Wanted to Believe
A Continuous Reassemblage of Meaning
No Choice But to Misbehave
What's Apparently Happening
A Different Kind of Animal
Happy Now?
This Creature
Did Early Humans Have Selves?
Nothing On Offer Here
Even Simpler and More Hopeless Than That
Glimpses
How Our Bodies Sense the World
Fragments
What Happens in Vagus
We Have No Choice
Never Comfortable in the Skin of Self
Letting Go of the Story of Me
All There Is, Is This
A Theory of No Mind
Creative Works:
Mindful Wanderings (Reflections) (Archive)
A Prayer to No One
Frogs' Hollow (Short Story)
We Do What We Do (Poem)
Negative Assertions (Poem)
Reminder (Short Story)
A Canadian Sorry (Satire)
Under No Illusions (Short Story)
The Ever-Stranger (Poem)
The Fortune Teller (Short Story)
Non-Duality Dude (Play)
Your Self: An Owner's Manual (Satire)
All the Things I Thought I Knew (Short Story)
On the Shoulders of Giants (Short Story)
Improv (Poem)
Calling the Cage Freedom (Short Story)
Rune (Poem)
Only This (Poem)
The Other Extinction (Short Story)
Invisible (Poem)
Disruption (Short Story)
A Thought-Less Experiment (Poem)
Speaking Grosbeak (Short Story)
The Only Way There (Short Story)
The Wild Man (Short Story)
Flywheel (Short Story)
The Opposite of Presence (Satire)
How to Make Love Last (Poem)
The Horses' Bodies (Poem)
Enough (Lament)
Distracted (Short Story)
Worse, Still (Poem)
Conjurer (Satire)
A Conversation (Short Story)
Farewell to Albion (Poem)
My Other Sites
I read your essay Dave. Very interesting. I’m 38 and have been watching violence invade my students’ lives in movies, TV and video games (and this is in Taiwan where I work and where the kids are more “conservative” so they say).I however am curious why you think that people see horribly violent movies to feel LESS. I believe that we are so desnesitized by normal life (tv news and the regular programming available) that we attend horror movies in particular because we need to feel MORE. We need that jolt of adrenaline from a good scream or a particularly violent scene that goes past our personal “violence cutoff point.”Maybe we need to feel that that “violence cutoff point” is still there and know that there are things that go too far, and that we won’t be back willingly for another view of someone getting their limbs blown off.I just hit this point by watching the movie HOSTEL. It was absolutely the most violent movie I’ve ever seen (and I’m a horror fan!) and left me disgusted. I didn’t even watch the end as I’d had enough. Anyway, for the most part, I agreed with and enjoyed your essay.jds
We can always choose European cinema….. Hollywood industry, most of the time (not always) uses the art of cinema for its industrial interests, it moves in the tide of consumption, buy and sell, creating needs, satisfying them, creating dreams, satisfying revenges, guiding values about who is good and who is not….. eliciting the sensorial structures required “to feel fear about”…. and find “saviors in”…. it´s aim is about money and power, not about the art of storytelling, building creative metaphores, about our natural love to learn through stories…. in what you describe there is no learning, only reacting.
I think there is another angle you may have missed. I
I don’t know why people choose to view these films or why, in the past, I subjected myself to them. Continuous surges of adrenaline are not good for the body and physiologically, the body can’t tell the difference between a real event or an “enacted” one. The result is the same-a negative impact on the body- what could that be doing to the general health?
I have my doubts that what people report they want and what they truly want are the same things. The media you refer to are entertainments, which are generally sought out for stimulation. Sleep, alcohol, and drugs are the typically things sought to make us feel numb. The idea that we might grow numb to experience after exposure to high wattage stimulation speaks less to our motivation than to the nature of the information environment in which we reside, which in the modern world is a veritable deluge of overexitement. I’ve blogged (briefly) on this topic at my blog in a post called The Paradox of the Sybarite and the Catatonic.
Your post made me think of the book The Catcher In The Rye, and how painfully aware the young hero was. I haven’t read it for a long time but maybe there are some answers in there.
This negates your essay, and therefore may only be useful as a data point, but here goes. I’m 42, male, and live in Italy. I watch TV with my kids. I routinely switch channels when the news start their crude descriptions of the latest murder.It’s not just for the kids: I don’t like violence depictions anywhere, and don’t want to get desensitized. I find no thrill in horror, fear and dismememberments, it just pains me. I try to keep some sensitivity for the problems of the world, and don’t want to become accustomed to it all.We also turn off the audio during advertisements, or switch channels altogether. The kids have to always do that too, or the TV gets turned off. :-)